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Music drama at the Paris Odéon, 1824-1828 [[electronic resource] /] / Mark Everist



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Autore: Everist Mark Visualizza persona
Titolo: Music drama at the Paris Odéon, 1824-1828 [[electronic resource] /] / Mark Everist Visualizza cluster
Pubblicazione: Berkeley, : University of California Press, c2002
Descrizione fisica: 1 online resource (350 p.)
Disciplina: 782.1/0944/36109034
Soggetto topico: Opera - France - Paris - 19th century
Soggetto genere / forma: Electronic books.
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references (p. 303-316) and index.
Nota di contenuto: Front matter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE. The Institution -- PART TWO. The Repertory -- Conclusion -- APPENDIX ONE -- APPENDIX TWO -- BIBLIOGRAPHY -- INDEX
Sommario/riassunto: Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.
Titolo autorizzato: Music drama at the Paris Odéon, 1824-1828  Visualizza cluster
ISBN: 1-282-35685-2
0-520-92890-3
9786612356858
1-59734-764-7
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910455637403321
Lo trovi qui: Univ. Federico II
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