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| Titolo: |
The European Union as a Global Film Enabler : Rethinking Power, Competitiveness and Identity / / edited by Antonios Vlassis, Mafalda Dâmaso, Katharine Sarikakis, Heritiana Ranaivoson, Marina Rossato Fernandes
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| Pubblicazione: | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2026 |
| Edizione: | 1st ed. 2026. |
| Descrizione fisica: | 1 online resource (XXII, 278 p. 13 illus.) : 12 illus. in color |
| Disciplina: | 791.4094 |
| Soggetto topico: | Motion picture plays, European |
| Europe - Politics and government | |
| Motion picture industry | |
| Television broadcasting | |
| European Film and TV | |
| European Politics | |
| Film and Television Industry | |
| Persona (resp. second.): | VlassisAntonios |
| DâmasoMafalda | |
| SarikakisKatharine | |
| RanaivosonHeritiana | |
| Rossato FernandesMarina | |
| Nota di contenuto: | CHAPTER 1: The European Union as a global film enabler -- PART ONE: REGULATION AND POLICY PRACTICES -- CHAPTER 2: Catalogue Quotas vs Automated Recommender Systems: A Proposal to (Re)Conceptualise the “Prominence of European Works” as a Defence for International Competitiveness of Diverse Cinematographic Works -- CHAPTER 3: The role of investment obligations for global streamers in enhancing competitiveness of small European markets -- CHAPTER 4: Promotion of the European Film Industry abroad: International Public Practices in France and Spain -- PART TWO: FRAMINGS AND STRATEGIES OF FILM PROFESSIONALS -- CHAPTER 5: Global VOD platforms, competitiveness and European film industry: from academic literature to professionals’ views -- CHAPTER 6: A mission-oriented and market-shaping agenda for the European Film Industry – building audiences and alliances in and with Argentina, Brazil, Mexico, South Korea, South Africa, and Turkey -- CHAPTER 7: Reimagining the intricate dance between Europe and South Africa: filmmaker’s voices on the persistent inequities in global cultural relations -- PART THREE: AUDIENCES AND GLOBAL FILM MARKET -- CHAPTER 8: International youth in Europe as audiences of European cinema -- CHAPTER 9: Youth in the Global Film Industry: Charting Patterns across Hollywood, Bollywood, Nollywood and Europe -- CHAPTER 10: Squaring the circle? Small markets between domestic and international audiences -- CONCLUSION -- CHAPTER 11: Dancer in the Dark: Where Next for the European Union as a Global Film Enabler?. |
| Sommario/riassunto: | This Open access book explores the intricate dynamics of the global politics and economy of film, focusing on the European Union's potential as a cultural powerhouse. As cinema remains one of Europe's most cherished cultural activities, the EU's film industry stands at a crossroads, poised to redefine its role on the international stage. Key concepts addressed in this volume include the EU's audiovisual regulations, the perceptions of European and non-European film professionals, and the reception of European films by global audiences. The book critically examines the EU's capacity to act as a global film enabler, counterbalancing the dominance of Hollywood and US-based streaming platforms. Through contributions from renowned scholars and insights from Horizon Europe projects, readers are invited to consider the EU's strategic potential in fostering cultural diversity and shaping global audiovisual governance. This book is essential for scholars, policymakers, and industry professionals interested in the intersection of film, power dynamics, and international cultural relations. It offers a comprehensive analysis of the EU's evolving role in the global film industry, providing valuable insights into its future as a cultural, economic and geo-political actor. Antonios Vlassis is Associate Professor of International Cultural Relations at the Department of Political Science, University of Liège and Senior Researcher at the Center for International Relations Studies (CEFIR), University of Liège. Mafalda Dâmaso is Part-time Professor at the Robert Schuman Centre for Advanced Studies, European University Institute. Katharine Sarikakis is Full Professor of Media Governance, Media Industries and Media Organisation at the Department of Communication, University of Vienna and the Director of the Media Governance Research Lab. Heritiana Ranaivoson is Research Professor at imec-SMIT-Vrije Universiteit Brussel. Marina Rossato Fernandes is Researcher at the Center for International Relations Studies (CEFIR), Department of Political Science, University of Liège. |
| Titolo autorizzato: | The European Union as a Global Film Enabler ![]() |
| ISBN: | 9783032253200 |
| Formato: | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9911129255703321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |