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Autore: | Baradel Lacey <1982-> |
Titolo: | Mobility and identity in US genre painting : painting at the threshold / / Lacey Baradel |
Pubblicazione: | New York, New York ; ; London : , : Routledge, , [2021] |
©2021 | |
Descrizione fisica: | 1 online resource (xiii, 163 pages) : illustrations, maps |
Disciplina: | 754.097309034 |
Soggetto topico: | Genre painting, American - 19th century |
Nota di contenuto: | Mobility and containment in Eastman Johnson's genre paintings -- Mapping Enoch Wood Perry's genre scenes -- Crossing thresholds in Thomas Hovenden's Breaking home ties -- Dislocation and connection in John Sloan's scenes of urban transport. |
Sommario/riassunto: | "This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in United States genre paintings during the second half of the long nineteenth century (c. 1860-1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824-1906), Enoch Wood Perry, Jr. (1831-1915), Thomas Hovenden (1840-1895), and John Sloan (1871-1951). It also complicates art history's canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by instead privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography"-- |
Titolo autorizzato: | Mobility and identity in US genre painting |
ISBN: | 0-367-81012-3 |
1-000-29040-9 | |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910818716903321 |
Lo trovi qui: | Univ. Federico II |
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