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Love's wounds : violence and the politics of poetry in early modern Europe / / Cynthia N. Nazarian



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Autore: Nazarian Cynthia Nyree <1980-> Visualizza persona
Titolo: Love's wounds : violence and the politics of poetry in early modern Europe / / Cynthia N. Nazarian Visualizza cluster
Pubblicazione: Ithaca, New York ; ; London, [England] : , : Cornell University Press, , 2016
©2016
Descrizione fisica: 1 online resource (316 pages) : illustrations
Disciplina: 809.193543094
Soggetto topico: European poetry - Renaissance, 1450-1600 - History and criticism
Love poetry, European - History and criticism
Violence in literature
Literature and state - Europe - History - 16th century
Note generali: Previously issued in print: 2016.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- List of Abbreviations -- Introduction: Vulnerability and the Countersovereign Voice -- 1. Strategies of Abjection: Parrhēsia and the Cruel Beloved from Petrarch's Canzoniere to Scève's Délie -- 2. Violence and the Politics of Imitation in Du Bellay's La Deffence et illustration de la langue françoyse and L'Olive -- 3. Martyrdom, Anatomy, and the Ethics of Metaphor in d'Aubigné's L'Hécatombe à Diane and Les Tragiques -- 4. Petrarchan Tyranny and Lyric Resistance in Spenser's Amoretti and The Faerie Queene -- Conclusion: The Paradoxes of Pain: Shakespeare beyond Petrarchism -- Notes -- Bibliography -- Index
Sommario/riassunto: Love's Wounds takes an in-depth look at the widespread language of violence and abjection in early modern European love poetry. Beginning in fourteenth-century Italy, this book shows how Petrarch established a pattern of inequality between suffering poet and exalted Beloved rooted in political parrhēsia. Sixteenth- and early seventeenth-century French and English poets reshaped his model into an idiom of extravagant brutality coded to their own historical circumstances. Cynthia N. Nazarian argues that these poets exaggerated the posture of the downtrodden lover, adapting the rhetoric of powerless desire to forge a new "countersovereignty" from within the heart of vulnerability-a potentially revolutionary position through which to challenge cultural, religious, and political authority. Creating a secular equivalent to the martyr, early modern sonneteers crafted a voice that was both critical and unstoppable because it suffered.Love's Wounds tracks the development of the countersovereign voice from Francesco Petrarca to Maurice Scève, Joachim du Bellay, Théodore-Agrippa d'Aubigné, Edmund Spenser, and William Shakespeare. Through interdisciplinary and transnational analyses, Nazarian reads early modern sonnets as sites of contestation and collaboration and rewrites the relationship between early modern literary forms.
Titolo autorizzato: Love's wounds  Visualizza cluster
ISBN: 1-5017-0825-2
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910792789603321
Lo trovi qui: Univ. Federico II
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