Arts and power : policies in and by the arts / / Lisa Gaupp, Alenka Barber-Kersovan and Volker Kirchberg, editors

• Pubblicazione: Wiesbaden, Germany : , : Springer, , [2022]; ©2022
• Descrizione fisica: 1 online resource (358 pages)
• Disciplina: 700.103
• Soggetto topico: Arts - Political aspects; Cultural policy; Culture
• Persona (resp. second.): GauppLisa; Barber-KersovanAlenka; KirchbergVolker
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Intro -- Contents -- List of Figures -- 1 Power and Policies in and by the Arts-Introduction -- Abstract -- 1.1 Domination and Power-Pivotal Terms for Sociological Research -- 1.2 Establishing and De-Establishing Power in the Arts -- 1.3 Arts and the Power of Social Structures -- 1.4 Arts and the Dominance of Political (Dis)Order -- 1.5 Power in the Arts-Power by the Arts -- References -- Part I Establishing and De-Establishing Power in the Arts -- 2 Repurposing the Black Arts Movement on the South Side of Chicago -- Abstract -- 2.1 Introduction -- 2.2 Culture and Community Development in Hyde Park/Kenwood -- 2.3 Who is Theaster Gates? -- 2.4 Gates and the University -- 2.5 Race, Class and the University of Chicago -- 2.6 Black Arts, Black Power -- 2.7 First Life: Black Arts Movement, Black Power and Welfare State Urban Policy -- 2.8 Second Life: Black Arts Movement and Neoliberal Considerations -- 2.9 Some Concluding Thoughts (for now) -- References -- 3 The ArtReview's Power 100: On the Concept and the Constitution of Power in Contemporary Art -- Abstract -- 3.1 Why a Ranking? Why Power? -- 3.2 Making the List: The World of the Power 100 -- 3.3 Forms of Power in the Power 100 -- 3.4 Power in the Power 100 from a Sociological Perspective -- References -- 4 How Organisations Exercise Power Through Peer Review: A Case Study from Contemporary Art Music -- Abstract -- 4.1 Introduction -- 4.1.1 What is Contemporary Art Music? -- 4.1.2 Methods -- 4.2 The Power to Define -- 4.2.1 Evaluation and Boundary Work -- 4.2.2 Rebuilding the "Wall" -- 4.2.3 How this Power to Define is Seen as Legitimate -- 4.3 Concluding Remarks -- References -- 5 Art Perception and Power. A Plea for Relational Sociological Aesthetics -- Abstract -- 5.1 Introduction -- 5.2 Social Science Research and the Visiting of Art Exhibitions. ; 5.3 The Practical Aesthetics of Experiencing Art and Art Exhibitions-Gar-Finkel, Goffman and Vom Lehn -- 5.4 The Field Analytic Aesthetics of Experiencing Art Exhibitions-Pierre Bourdieu -- 5.5 The Relational Sociological Aesthetics of Experiencing Art and Art Exhibitions-Georg Simmel -- 5.6 Conclusion -- References -- 6 Art Organisations and Their Visitors. About Standardisation Methods of Non-members -- Abstract -- 6.1 Art Organisations and the Problem of Non-Membership of Visitors -- 6.2 How Do Visitors Behave in Art Organisations? -- 6.2.1 Interaction Order 1: Applause at the Wrong Passages -- 6.2.2 Interaction Order 2: Singing in the Opera House -- 6.2.3 Interaction Order 3: Disturbing the Acoustic Warning Barriers -- 6.3 Why Do Visitors Behave Similarly in Art Organisations? -- 6.4 Concluding Remarks -- References -- Part II The Arts and the Power of Social Structures -- 7 Equality, History, Tradition: Gender-Political Issues in the Oxford Collegiate Choral Scene -- Abstract -- 7.1 Introduction -- 7.2 Methods and Participants -- 7.3 Aesthetics and Equal Access versus Preservation of a Tradition -- 7.4 Gendered Musicality and Institutional Obstacles -- 7.5 Conclusions -- References -- 8 "When She Talks, I Hear the Revolution": Pop Feminism Between Hegemony and Subalternity -- Abstract -- 8.1 "Hot Topic": Pop Culture -- 8.2 "All About that Base": Structure and Superstructure -- 8.3 "A Walking Contradiction" -- 8.4 "Strong Enough": Universalising Good Sense -- 8.5 "Smells like Teen Spirit": Pop Culture in Civil Society -- 8.6 "This is the End": Pop Feminism Can Build Bridges -- References -- 9 Female Bodybuilding and Patriarchal Civilization. The Intrusion of a Practice in Sport into Artistic Fields and Visual Culture -- Abstract -- 9.1 Introduction -- 9.2 Some Aspects of the Practice of Bodybuilding. ; 9.3 Pierre Bourdieu and Loïc Wacquant on Bodybuilding and Sports -- 9.4 Bodybuilding as a Kind of Sport vs. Bodybuilding in the Artistic Field and in Popular Visual Culture -- 9.5 Aspects of the History of (Female) Bodybuilding in the Second Half of the Twentieth Century: Primary Social Antagonisms and Gender Tensions -- 9.6 The Twenty-First Century: The Evolution vs. Decline of Female Bodybuilding Disputes -- 9.7 Views on Female Bodybuilding-Gender Transgression and Parody. Subversive Acts, or the Reproduction of Ideals of Femininity? -- 9.8 Female Bodybuilding Contests: Demands for Femininity -- 9.9 Conclusions -- References -- 10 On the History of the Blues in the Field of Music Production in the United States Beginning in the 20th Century: A Field Theoretical Approach -- Abstract -- References -- 11 "It's Almost like Greeting"-Artistic Development Projects and Value Making of Traditional Art Practices in Ugandan Civil Society -- Abstract -- 11.1 Introduction -- 11.2 The Question of Power -- 11.3 Methodology -- 11.4 Sample -- 11.5 Visual Culture and Civil Society in Uganda -- 11.6 Art Education Today -- 11.7 Civil Society -- 11.8 Visual Culture -- 11.8.1 Socially Engaged Artistic Expression -- 11.8.2 Visual Culture Between Neglection and Appreciation -- 11.8.3 Framing of Visual Culture -- 11.9 It's Almost like Greeting-Value Making of Traditional Art Practices -- 11.10 Poverty Eradication Through Craft-Making -- 11.11 Lived and Felt Value of Visual Culture -- 11.12 Conclusions -- References -- Part III The Arts and the Dominance of Politics and Economic Order -- 12 Art Politics' Tendencies of the Documenta Exhibition Series -- Abstract -- 12.1 Documenta 1955 -- 12.2 Avant-Garde Approaches -- 12.3 Documenta 4 (1968) -- 12.4 Documenta IX (1992) -- 12.5 Different Art Worlds -- List of Figures -- References. ; 13 The Aesthetic Subversion of Cultural Posters-Examples from the Former People's Republic of Poland -- Abstract -- 13.1 Relevant Socio-Political Events in the People's Republic of Poland -- 13.2 Socialist Realism as an Art Doctrine in the People's Republic of Poland -- 13.3 Methodical Approaches -- 13.4 Analyses of Polish Cultural Posters -- 13.5 Conclusion -- References -- 14 "The Dead are Coming". Contemporary Interventionist Art, Political Beauty, and the Power of Reason -- Abstract -- 14.1 Introduction -- 14.2 Performance, Methods, Strategies -- 14.2.1 A Performance in Several Acts -- 14.2.2 Methods Between Activism and Art -- 14.2.3 Three Aesthetico-Political Strategies -- 14.3 The Communicative Power of Artistic Dramaturgical Action -- 14.3.1 Dramaturgical Action -- 14.3.2 The "Powers and Forces" of a Dramaturgical Performance -- 14.3.3 The Art of Bending the Fields of Force of Good Reasons -- 14.4 The Center for Political Beauty's Aesthetic Intent: A Call to Action -- 14.5 Concluding Thoughts -- References -- 15 Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration -- Abstract -- 15.1 Introduction -- 15.2 Interfaces, Devices, and Their Role as Designed Things -- 15.3 Musical Interface Complexes and the Empty World -- 15.4 Method -- 15.5 Artifact-Analytical Descriptions -- 15.6 Implications of the Self-Documentation Videos -- 15.7 Discussion -- 15.8 Summary -- References -- 16 Who Plays? an Analysis of Musicians' Global Mobility in the World Music Market -- Abstract -- 16.1 Introduction -- 16.2 Understanding Musicians' Global Mobility -- 16.3 The World Music Market -- 16.4 Empirical Analysis of Musicians' Global Mobility -- 16.5 Final Considerations -- References -- List of authors and German abstracts.
• Titolo autorizzato: Arts and Power
• ISBN: 3-658-37429-2
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Efik
• Record Nr.: 9910592991203321
• Lo trovi qui: Univ. Federico II
• Serie: Kunst und Gesellschaft (Wiesbaden, Germany)