Vai al contenuto principale della pagina

Modern drama and the rhetoric of theater / / W. B. Worthen



(Visualizza in formato marc)    (Visualizza in BIBFRAME)

Autore: Worthen William B. <1955-> Visualizza persona
Titolo: Modern drama and the rhetoric of theater / / W. B. Worthen Visualizza cluster
Pubblicazione: Berkeley, California : , : University of California Press, , 1992
©1992
Descrizione fisica: 1 online resource (241 p.)
Disciplina: 822/.9109
Soggetto topico: English drama - 20th century - History and criticism
American drama - 20th century - History and criticism
Theater - Production and direction - History - 20th century
Theater - English-speaking countries - History - 20th century
Soggetto non controllato: american drama
audience
brecht
british drama
drama
literary criticism
modern theater
oneill
performance
performing arts
plays
playwright
poetic theater
political theater
postwar drama
realistic theater
rhetoric
spectator
stage drama
stage production
stage
staging
theater criticism
theater history
theater
yeats
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Theater and the Scene of Vision -- 2. Actors and Objects -- 3. Scripted Bodies: Poetic Theater -- 4. Political Theater: Staging the Spectator -- Postscript. Sidi's Image: Theater and the Frame of Culture -- Works Cited -- Index
Sommario/riassunto: The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880's onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.
Titolo autorizzato: Modern drama and the rhetoric of theater  Visualizza cluster
ISBN: 0-520-96304-0
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910788157503321
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui