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War, memory, and the politics of humor [[electronic resource] ] : the Canard enchaîné and World War I / / Allen Douglas



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Autore: Douglas Allen <1949-> Visualizza persona
Titolo: War, memory, and the politics of humor [[electronic resource] ] : the Canard enchaîné and World War I / / Allen Douglas Visualizza cluster
Pubblicazione: Berkeley, : University of California Press, c2002
Descrizione fisica: 1 online resource (347 p.)
Disciplina: 940.3/02/07
Soggetto topico: World War, 1914-1918
French wit and humor - History and criticism
Satire, French - History and criticism
World War, 1914-1918 - Press coverage - France
Soggetto non controllato: 20th century
armistice
battles
bodies
canard enchaine
cannibalism
carnage
cartoons
corpses
crossdressing
dissent
france
free press
gender
great depression
great war
history
humor
imperialism
injured soldiers
journalism
leftist politics
literary criticism
militarism
military
newspaper
periodicals
political cartoons
political commentary
political speech
protest
satire
social commentary
soldier
war hero
war wounded
war
world war one
ww1
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Front matter -- Contents -- Illustrations -- Preface and Acknowledgments -- Introduction -- 1. Satire and Censorship -- 2. Verbal and Visual, Humor and Politics -- 3. Unstuffing Skulls -- 4. The Tears of L'Intran -- 5. Soldiers versus Profiteers -- 6. In Vino Veritas -- 7. Peace or Postwar -- 8. Web of Memory -- 9. Between Cannibalism and Resurrection -- 10. Anti-Imperialism and Its Stereotypes -- 11. Politics as Usual -- 12. Canard Economics, or the Costs of the War -- 13. The Wealth of Nations -- 14. Conclusion -- Notes -- Index
Sommario/riassunto: War, Memory, and the Politics of Humor features carnage and cannibalism, gender and cross-dressing, drunks and heroes, militarism and memory, all set against the background of World War I France. Allen Douglas shows how a new satiric weekly, the Canard Enchaîné, exploited these topics and others to become one of France's most influential voices of reaction to the Great War. The Canard, still published today, is France's leading satiric newspaper and the most successful periodical of the twentieth century, and Douglas colorfully illuminates the mechanisms of its unique style. Following the Canard from its birth in 1915 to the eve of the Great Depression, the narrative reveals a heady mix of word play, word games, and cartoons. Over the years the journal--generally leftist, specifically antimilitarist and anti-imperialist--aimed its shots in all directions, using some stereotypes the twenty-first century might find unacceptable. But Douglas calls its humor an affirmation of life, and as such the most effective antidote to war.
Titolo autorizzato: War, memory, and the politics of humor  Visualizza cluster
ISBN: 9786612356629
1-282-35662-3
0-520-92694-3
1-59734-988-7
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910780078503321
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