Misogyny, toxic masculinity, and heteronormativity in post-2000 popular music / / Glenn Fosbraey, Nicola Puckey, editors

• Pubblicazione: Cham, Switzerland : , : Palgrave Macmillan, , [2021]; ©2021
• Descrizione fisica: 1 online resource
• Disciplina: 782.42164092
• Soggetto topico: Popular music - 2001-2010 - History and criticism; Popular music - 2011-2020 - History and criticism; Popular music - Social aspects; Misogyny in music; Masculinity in music
• Persona (resp. second.): FosbraeyGlenn; PuckeyNicola
• Nota di contenuto: Intro -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction -- Unpacking the Title -- Misogyny -- Toxic Masculinity -- Heteronormativity -- Concluding Thoughts -- References -- Chapter 1: Should Real Love Hurt? The Eroticisation of Dominance, Submission and Coercive Control in Contemporary Pop Music -- Introduction -- Autobiographical Note -- Literature Review -- Domestic Abuse and Coercive Control -- Existing Research on Pop Music Lyrics, Gender and Sex -- Methods -- Findings -- Pleasure and Pain -- Ignoring the Advice of Others -- Attempting to Re-assert Power -- Cycle of Violence -- Control Complete -- Discussion -- Voluntary Masochism -- Female Empowerment -- Looking Forward: Thinking in New Ways -- References -- Chapter 2: Featuring...Nicki Minaj -- Biography, Message, and Voice -- Shared Responsibility? -- Control? -- Body Ideals -- Objectification? -- Conclusion -- References -- Songs -- Chapter 3: Misogyny and Erotic Pleasure in Bollywood's "Item Numbers" -- Introduction -- Analyzing Women's Representation in Films -- Globalization and Changes in Women's Representation in Bollywood Cinema -- Item Numbers: A Hybrid Global-Local Site for Gender Performance -- Method -- Findings and Discussion -- Themes Within the Lyrics of Item Numbers -- Sexual Objectification of Women in Item Numbers -- Women in Cameo Roles -- Single Woman, Ogling Men -- Uncovering Women, Covering Men -- Fragmented Bodies: Gyrating Hips, Undulating Navels, and Heaving Bosoms -- White Bodies as Objects of Desire -- Sexual Objectification Through the Use of Earthly Elements -- References -- Chapter 4: From Pimpology to Pimpologia: A Comparative Analysis of Pimp Rap in the United States and Italy -- Introduction -- The Rise of the Pimp Myth in American Rap -- A Comparative Analysis of Pimp Rap in Italy and the United States -- Conclusion. ; References -- Discography -- Filmography -- Chapter 5: How Female is the Future? Undoing Sexism in Contemporary Metal Music -- A Note on Methodology, Definitions and Limitations -- Act Like a Man: Adaptations of Masculine Metal Personas -- Adding a New Voice: Tribute Bands and the Digital Sphere -- Adapting Drag: Transforming Clichéd Notions of Femininity -- A Female Future? Gender Evolution in Metal Music -- References -- Chapter 6: See the Signs-Justin Timberlake and the Pretence of Romance -- References -- Chapter 7: Immortal Technique and the Radical Reimagining of Masculinity on the Street -- Background Context: Toxic Formations of Masculinity in Urban Contexts and Representations in Mainstream Hip-Hop -- A Notable Exception: Immortal Technique and Alternative Masculinities -- Resisting the Pull of the Mainstream -- Conclusion -- References -- Chapter 8: The Initiation: Re-negotiating Masculinity in Queer Music Video -- References -- Chapter 9: Let It Enfold You: Screaming, Masculinity, and the Loss of Emotional Control in Post-millennium Emo -- Introduction -- A Little Emo-tology: Marking the Subordinate -- Screaming as a Loss of Emotional Control -- Screaming and the Symbolic Gendered Power Dynamics of Emo -- References -- Chapter 10: The Power of Boy Pussy: The Dichotomy Between Liberation and Objectification in Queer Hip-Hop/Rap in the 2000s -- Liberation Identity and Hip-Hop -- The Tools of MAN -- MISSY -- Bounce Music, Male ownership, and Shakin' -- Shakin' -- Dichotomy of Visibility and Objectification -- The dark side of liberation -- Deep Dickollective from 2001 to 2007 -- Conclusion -- References -- Chapter 11: "All Of My Life, Just Like I Was One Of Them": Trans itioning Punk -- Introduction -- The Obnoxious Punk -- A Stifling Orthodoxy -- New Wave -- True Trans Soul Rebel -- Trans Romance -- Conclusion -- References. ; Chapter 12: Lady Lazarus: The Death (and Rebirth) of a Gender Revolutionary -- Questions of Identity -- The Great Pretender -- Famous Last Words -- Lines of Succession -- Straight Outta Brixton -- Lines of Resistance -- Looking Backward -- References -- Chapter 13: Like a Lollipop: Toxic Masculinity and Female Sexual Pleasure in Hip-Hop -- Sexual Scripts -- Sex Positivity -- Narratives Around Cunnilingus -- Misogyny and Toxic Masculinity -- Cunnilingus in Hip-Hop -- Women Rappers -- Shifting the Narrative -- Media as a Script Changer? -- Conclusion -- References -- Afterword -- Index.
• Titolo autorizzato: Misogyny, toxic masculinity, and heteronormativity in post-2000 popular music
• ISBN: 3-030-65189-4
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910484582903321
• Lo trovi qui: Univ. Federico II
• Serie: Palgrave Studies in (Re)Presenting Gender,. . 2662-9364.