Vai al contenuto principale della pagina

Impossible purities : blackness, femininity, and Victorian culture / / Jennifer DeVere Brody



(Visualizza in formato marc)    (Visualizza in BIBFRAME)

Autore: Brody Jennifer DeVere Visualizza persona
Titolo: Impossible purities : blackness, femininity, and Victorian culture / / Jennifer DeVere Brody Visualizza cluster
Pubblicazione: Durham [N.C.] : , : Duke University Press, , 1998
Descrizione fisica: 1 online resource (273 p.)
Disciplina: 820.9/358
Soggetto topico: English literature - 19th century - History and criticism
Black people - Great Britain - Public opinion - History - 19th century
Race awareness - Great Britain - History - 19th century
National characteristics, English, in literature
Women, Black, in literature
Femininity in literature
Black people in literature
Race in literature
Black race - Color
Soggetto geografico: Great Britain Civilization 19th century
Note generali: Bibliographic Level Mode of Issuance: Monograph
Nota di bibliografia: Includes bibliographical references (pages [221]-243) and index.
Nota di contenuto: Complicating categories. --Miscegenating mulattaroons. --Casting the dye. --Masking faces. --Deforming island races. --Epilogue.
Sommario/riassunto: Using Black feminist theory and African American studies to read Victorian culture, Impossible Purities looks at the construction of “Englishness” as white, masculine, and pure and “Americanness” as Black, feminine, and impure. Brody’s readings of Victorian novels, plays, paintings, and science fiction reveal the impossibility of purity and the inevitability of hybridity in representations of ethnicity, sexuality, gender, and race. She amasses a considerable amount of evidence to show that Victorian culture was bound inextricably to various forms and figures of Blackness. Opening with a reading of Daniel Defoe’s “A True-Born Englishman,” which posits the mixed origins of English identity, Brody goes on to analyze mulattas typified by Rhoda Swartz in William Thackeray’s Vanity Fair, whose mixed-race status reveals the “unseemly origins of English imperial power.” Examining Victorian stage productions from blackface minstrel shows to performances of The Octoroon and Uncle Tom’s Cabin, she explains how such productions depended upon feminized, “Black” figures in order to reproduce Englishmen as masculine white subjects. She also discusses H.G. Wells’s The Island of Dr. Moreau in the context of debates about the “new woman,” slavery, and fears of the monstrous degeneration of English gentleman. Impossible Purities concludes with a discussion of Bram Stoker’s novella, “The Lair of the White Worm,” which brings together the book’s concerns with changing racial representations on both sides of the Atlantic. This book will be of interest to scholars in Victorian studies, literary theory, African American studies, and cultural criticism.
Titolo autorizzato: Impossible purities  Visualizza cluster
ISBN: 0-8223-9695-5
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910813430903321
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui