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Theatre history studies, 2012 [[electronic resource] ] . Volume 32 / / edited by Rhona Justice-Malloy



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Titolo: Theatre history studies, 2012 [[electronic resource] ] . Volume 32 / / edited by Rhona Justice-Malloy Visualizza cluster
Pubblicazione: Tuscaloosa, Ala., : University of Alabama Press, c2012
Descrizione fisica: 1 online resource (263 p.)
Disciplina: 792.09
Soggetto topico: Theater - United States - History
Theater - History
Altri autori: Justice-MalloyRhona  
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references.
Nota di contenuto: Contents; List of Illustrations; Company: Keynote Speech from the Thirty-second Mid-America Theatre Conference - Bill Rauch; Cut the Cow, Cut the Queen: Problems of Cultural Translation - Virginia Scott; Companies to Keep: Air-Raid Dramas and International Ethical Responsibility in America, 1936-1939 - Lisa Jackson-Schebetta; A Failed Attempt at World Domination: "Advanced Vaudeville," Financial Panic, and the Dream of a World Trust - Marlis Schweitzer; The Company She Kept: The Radical Activism of Actress Kitty Marion from Piccadilly Circus to Times Square - Christine Woodworth
"The Picture Postcard is a sign of the times": Theatre Postcards and Modernism - Penny FarfanA More Aggressive Plantation Play: Henrietta Vinton Davis and John Edward Bruce Collaborate on Our Old Kentucky Home - Thomas Robson; Midwest American Rural Landscapes and the Creation of a Unique Theatre Culture, 1870-1940 - Richard L. Poole; Ibsen's Unexpected Triumph: Peer Gynt at the Seattle Repertory Playhouse - Victor Holtcamp; Book Reviews; Tim Donahue and Jim Patterson, Stage Money: The Business ofthe Professional Theater - Reviewed by Heather A. Beasley
Sarah Werner, ed., New Directions in Renaissance Drama and Performance Studies - Reviewed by Shawna Mefferd CarrollJan Balakian, Reading the Plays of Wendy Wasserstein - Reviewed by Miriam Chirico; Laura Bradley, Cooperation and Conflict: GDR Theatre Censorship, 1961-1989 - Reviewed by Stacey Connelly; Robert A. Schanke, Queer Theatre and the Legacy of Cal Yeomans - Reviewed by James Fisher; Veronica Kelly, The Empire Actors: Stars of Australasian Costume Drama,1890s-1920s - Reviewed by Richard Fotheringham; Gene A. Plunka, Holocaust Drama: The Theater of Atrocity - Reviewed by Elinor Fuchs
Virginia Scott, Women on the Stage in Early Modern France, 1540-1750 - Reviewed by Perry Gethner, Sherry D. Engle, New Women Dramatists in America, 1890-1920, and Alma J. Bennett, American Women Theatre Critics: Biographies and Selected Writings of Twelve Reviewers, 1753-1919 - Reviewed by Helen Huff; Scott Magelssen and Rhona Justice-Malloy, eds., Enacting History - Reviewed by Scott R. Irelan; Edward Forman, Historical Dictionary of French Theater, and Helen Solterer, Medieval Roles for Modern Times: Theater and the Battle for the French Republic - Reviewed by Felicia Hardison Londré
James F. Wilson, Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance - Reviewed by Adrienne Macki Braconi, Philip Lambert, To Broadway, To Life! The Musical Theater of Bock and Harnick - Reviewed by Chris M. McCoy; Kevin K. Durand and Mary K. Leigh, eds., The Universe of Oz: Essays on Baum's Series and Its Progeny - Reviewed by Katharine M. Rogers; Cherise Smith, Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith - Reviewed by Mark Seamon
Madhavi Menon, ed., Shakesqueer: A Queer Companion to the Complete Works of Shakespeare - Reviewed by Chad Allen Thomas
Sommario/riassunto: Theatre History Studies, currently edited by Rhona Justice-Malloy, is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development.
Titolo autorizzato: Theatre history studies, 2012  Visualizza cluster
ISBN: 0-8173-8630-0
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910785942503321
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Serie: Theatre History Studies