Late Godard and the possibilities of cinema [[electronic resource] /] / Daniel Morgan

• Autore: Morgan Daniel <1977->
• Pubblicazione: Berkeley, : University of California Press, 2012
• Descrizione fisica: 1 online resource (326 p.)
• Disciplina: 791.4302/33092
• Soggetto topico: Motion pictures - Aesthetics
• Soggetto non controllato: 20th century art; 20th century film; aesthetics in cinema; books for film lovers; cinema and culture; cinema history; contemporary cinema; discussion books; easy to read; educational books; engaging; famous film producers; film history; film majors; film studies books; history of cinema production; history; informative books; jean luc godard; leisure reads; movie and video production; movie lovers; nonfiction reading; page turner; performing arts; social cinema; video direction and production
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Front matter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction -- 1. The Work of Aesthetics -- 2. Nature and Its Discontents -- 3. Politics by Other Means -- 4. Cinema without Photography -- 5. What Projection Does -- 6. Cinema after the End of Cinema (Again) -- Notes -- Index
• Sommario/riassunto: With Late Godard and the Possibilities of Cinema, Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980's, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films-Soigne ta droite (Keep Your Right Up, 1987), Nouvelle vague (New Wave, 1990), and Allemagne 90 neuf zéro (Germany 90 Nine Zero, 1991)-and the monumental late video work, Histoire(s) du cinéma (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work. At the same time, Late Godard and the Possibilities of Cinema provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies. In using the tradition of aesthetics to illuminate Godard's late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema.
• Titolo autorizzato: Late Godard and the possibilities of cinema
• ISBN: 1-283-69594-4; 0-520-95396-7
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910785942003321
• Lo trovi qui: Univ. Federico II