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Emblems of eloquence [[electronic resource] ] : opera and women's voices in seventeenth-century Venice / / Wendy Heller



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Autore: Heller Wendy Beth Visualizza persona
Titolo: Emblems of eloquence [[electronic resource] ] : opera and women's voices in seventeenth-century Venice / / Wendy Heller Visualizza cluster
Pubblicazione: Berkeley, : University of California Press, c2003
Descrizione fisica: 1 online resource (407 p.)
Disciplina: 782.1/082/094531
Soggetto topico: Opera - Italy - Venice - 17th century
Women in opera
Soggetto non controllato: 17th century
androgyny
antiquity
callisto
carthage
cavalli
chastity
classical
classicism
desire
dido
diodorus siculus
drama
empress
erotic
female characters
female power
female vocality
feminism
gender studies
gender
messalina
monteverdi
music
musicology
mythological women
mythology
nonfiction
nymph
octavia
opera women
opera
ovid
pallavicino
performing arts
purity
semiramis
sexuality
tacitus
theater
transvestism
venetian opera
virgil
women
womens rights
ziani
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: The emblematic woman -- Bizzarrie femminile : opera and the Accademia degli incogniti -- Didone and the voice of chastity -- 'Disprezzata regina' : woman and empire -- The nymph Calisto and the myth of female pleasure -- Semiramide and the conventions of musical transvestism -- Messalina la meretrice : envoicing the courtesan.
Sommario/riassunto: Opera developed during a time when the position of women-their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality-was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts-by Ovid, Virgil, Tacitus, and Diodorus Siculus-form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).
Titolo autorizzato: Emblems of eloquence  Visualizza cluster
ISBN: 1-282-35669-0
0-520-91934-3
9786612356698
1-59734-592-X
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910777355003321
Lo trovi qui: Univ. Federico II
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Serie: ACLS Fellows’ publications.