The bride of Christ goes to hell [[electronic resource] ] : metaphor and embodiment in the lives of pious women, 200-1500 / / Dyan Elliott

• Autore: Elliott Dyan <1954->
• Pubblicazione: Philadelphia, : University of Pennsylvania Press, c2012
• Edizione: 1st ed.
• Descrizione fisica: 1 online resource (477 p.)
• Disciplina: 241/.660820940902
• Soggetto topico: Virginity - Religious aspects - Christianity - History of doctrines - Early church, ca. 30-600; Virginity - Religious aspects - Christianity - History of doctrines - Middle Ages, 600-1500; Marriage - Religious aspects - Christianity - History of doctrines - Early church, ca. 30-600; Marriage - Religious aspects - Christianity - History of doctrines - Middle Ages, 600-1500; Women in Christianity - History - Early church, ca. 30-600; Women in Christianity - History - Middle Ages, 600-1500
• Soggetto genere / forma: Electronic books.
• Note generali: Bibliographic Level Mode of Issuance: Monograph
• Nota di bibliografia: Includes bibliographical references (p. [409]-450) and index.
• Nota di contenuto: Front matter -- Contents -- Introduction -- Chapter 1. A Match Made in Heaven -- Chapter 2. The Church Fathers and the Embodied Bride -- Chapter 3. The Barbarian Queen -- Chapter 4. An Age of Affect, 1050-1200 (1) -- Chapter 5. An Age of Affect, 1050-1200 (2) -- Chapter 6. The Eroticized Bride of Hagiography -- Chapter 7. Descent into Hell -- Conclusion -- Abbreviations -- Notes -- Bibliography -- Index
• Sommario/riassunto: The early Christian writer Tertullian first applied the epithet "bride of Christ" to the uppity virgins of Carthage as a means of enforcing female obedience. Henceforth, the virgin as Christ's spouse was expected to manifest matronly modesty and due submission, hobbling virginity's ancient capacity to destabilize gender roles. In the early Middle Ages, the focus on virginity and the attendant anxiety over its possible loss reinforced the emphasis on claustration in female religious communities, while also profoundly disparaging the nonvirginal members of a given community. With the rising importance of intentionality in determining a person's spiritual profile in the high Middle Ages, the title of bride could be applied and appropriated to laywomen who were nonvirgins as well. Such instances of democratization coincided with the rise of bridal mysticism and a progressive somatization of female spirituality. These factors helped cultivate an increasingly literal and eroticized discourse: women began to undergo mystical enactments of their union with Christ, including ecstatic consummations and vivid phantom pregnancies. Female mystics also became increasingly intimate with their confessors and other clerical confidants, who were sometimes represented as stand-ins for the celestial bridegroom. The dramatic merging of the spiritual and physical in female expressions of religiosity made church authorities fearful, an anxiety that would coalesce around the figure of the witch and her carnal induction into the Sabbath.
• Titolo autorizzato: The bride of Christ goes to hell
• ISBN: 1-283-89765-2; 0-8122-0693-2
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910464109103321
• Lo trovi qui: Univ. Federico II
• Serie: Middle Ages series.