Vai al contenuto principale della pagina

Breaking Resemblance : The Role of Religious Motifs in Contemporary Art / / Alena Alexandrova



(Visualizza in formato marc)    (Visualizza in BIBFRAME)

Autore: Alexandrova Alena Visualizza persona
Titolo: Breaking Resemblance : The Role of Religious Motifs in Contemporary Art / / Alena Alexandrova Visualizza cluster
Pubblicazione: New York, NY : , : Fordham University Press, , [2017]
©2017
Edizione: First edition.
Descrizione fisica: 1 online resource (283 pages) : illustrations
Disciplina: 700/.4820218
Soggetto topico: Art, Modern - 21st century - Themes, motives
Art, Modern - 20th century - Themes, motives
Idols and images in art
Art and religion
Soggetto genere / forma: Electronic books.
Soggetto non controllato: acheiropoietos
appropriation
contemporary art
counter-motif
cult image
eras of the image
exhibition
iconoclasm
installation
painting
presentation
ready-made
regimes of the image
religious iconography
religious motif
sculpture
spirituality
video-art
Note generali: This edition previously issued in print: 2017.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Front matter -- Contents -- List of Figures -- Preface and Acknowledgments -- Introduction: Situating Contemporary Art and Religion -- 1. Veronicas and Artists -- 2. Breaking the Religious Image: Reinventing Religion in Art -- 3. Between Critical Displacements and Spiritual Affirmations -- 4. Images between Religion and Art -- 5. The Video Veronicas of Bill Viola -- 6. Images That Do Not Rest: The Installations of Lawrence Malstaf -- 7. Illusionism Cut: The Painting of Victoria Reynolds -- 8. The Body Recast: The Sculpture of Berlinde de Bruyckere -- Conclusion -- Notes -- Bibliography -- Index
Sommario/riassunto: In recent decades curators and artists have shown a distinct interest in religion, its different traditions, manifestations in public life, gestures and images. Breaking Resemblance explores the complex relationship between contemporary art and religion by focusing on the ways artists re-work religious motifs as a means to reflect critically on our desire to believe in images, on the history of seeing them, and on their double power— iconic and political. It discusses a number of exhibitions that take religion as their central theme, and a selection of works by Bill Viola, Lawrence Malstaf, Victoria Reynolds, and Berlinde de Bruyckere—all of whom, in their respective ways and media, recycle religious motifs and iconography and whose works resonate with, or problematize the motif of, the true image.
Titolo autorizzato: Breaking Resemblance  Visualizza cluster
ISBN: 0-8232-7452-7
0-8232-7450-0
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910480085803321
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui