Vai al contenuto principale della pagina

The end of cinema? : a medium in crisis in the digital age / / André Gaudreault and Philippe Marion ; translated by Timothy Barnard



(Visualizza in formato marc)    (Visualizza in BIBFRAME)

Autore: Gaudreault André Visualizza persona
Titolo: The end of cinema? : a medium in crisis in the digital age / / André Gaudreault and Philippe Marion ; translated by Timothy Barnard Visualizza cluster
Pubblicazione: New York, New York : , : Columbia University Press, , 2015
©2015
Descrizione fisica: 1 online resource (257 pages)
Disciplina: 791.4301
Soggetto topico: Motion pictures - Philosophy
Motion pictures - Technological innovations
Motion pictures - Social aspects
Digital media
Soggetto genere / forma: Electronic books.
Persona (resp. second.): MarionPhilippe
BarnardTim
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Front matter -- Contents -- Preface -- Introduction. The End of Cinema? -- One. Cinema Is Not What It Used to Be -- Two. Digitalizing Cinema from Top to Bottom -- Three. A Brief Phenomenology of "Digitalized" Cinema -- Four. From Shooting to Filming: The Aufhebung Effect -- Five. A Medium Is Always Born Twice . . . -- Six. New Variants of the Moving Image -- Seven. "Animage" and the New Visual Culture -- Conclusion. A Medium in Crisis in the Digital Age -- Notes -- Acknowledgments -- Selected Bibliography -- Index
Sommario/riassunto: Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.
Titolo autorizzato: The end of cinema  Visualizza cluster
ISBN: 0-231-53938-X
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910459662303321
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Serie: Film and culture.