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Autore: |
Lameris Bregt
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Titolo: |
Film Museum Practice and Film Historiography / Bregt Lameris
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Pubblicazione: | Amsterdam University Press, 2018 |
Amsterdam : , : Amsterdam University Press, , [2017] | |
©[2017] | |
Descrizione fisica: | 1 online resource (271 pages) |
Disciplina: | 791 |
Soggetto topico: | Motion pictures - Historiography |
Film archives - Netherlands - Amsterdam - History - 20th century | |
Soggetto genere / forma: | Electronic books. |
Soggetto non controllato: | Film history |
canon | |
discourse | |
film archives | |
historiography | |
Nota di bibliografia: | Includes bibliographical references (pages 245-260) and index. |
Nota di contenuto: | Frontmatter -- TABLE OF CONTENTS -- ACKNOWLEDGEMENTS -- Introduction -- PART I COLLECTIONS -- CHAPTER 1. Private Collectors -- CHAPTER 2. Blind Choices: Parameters and Repetitions -- CHAPTER 3. Eyes Wide Open: Duplicates -- CHAPTER 4. Passive Preservation: An Historical Overview -- CHAPTER 5. Impressions: Restoration of the Film Image -- CHAPTER 6. Reconstructions -- PART III PRESENTATIONS -- CHAPTER 7. Film Museum Exhibition Spaces -- CHAPTER 8. Framing Programmes -- CHAPTER 9. Performances -- Coda: Past Futures, Future Pasts -- NOTES -- BIBLIOGRAPHY -- INDEX |
Sommario/riassunto: | Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history. |
Titolo autorizzato: | Film Museum Practice and Film Historiography ![]() |
ISBN: | 90-485-2674-4 |
Formato: | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910291728203321 |
Lo trovi qui: | Univ. Federico II |
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