Vai al contenuto principale della pagina

Art and Globalization / / edited by James Elkins, Zhivka Valiavicharska, and Alice Kim



(Visualizza in formato marc)    (Visualizza in BIBFRAME)

Titolo: Art and Globalization / / edited by James Elkins, Zhivka Valiavicharska, and Alice Kim Visualizza cluster
Pubblicazione: Pennsylvania : , : Pennsylvania State University Press, , [2010]
©2010
Descrizione fisica: 1 online resource (x, 294 pages) : illustrations, portraits
Disciplina: 701.03
Soggetto topico: Art and globalization
Postcolonialism and the arts
Soggetto non controllato: Anthony D. King
Caroline Jones
Charles Green
Elkins
Fredric Jameson
Harry Harootunian
Iftikhar Dadi
Joaquín Barriendos
John Clark
Keith Moxey
Literature
Michael Ann Holly
Néstor García Canclini
Partha Mitter
Rasheed Araeen
Shigemi Inaga
Suman Gupta
Susan Buck-Morss
T. J. Demos
Thomas DaCosta Kaufmann
Valiavicharska
anthropology
art
biennale culture
cultural studies
ethnic identity
globalization
kim
nationalism
political economy
political theory
postcolonial theory
sociology
Persona (resp. second.): ElkinsJames <1955->
KimAlice
ValiavicharskaZhivka
Note generali: Bibliographic Level Mode of Issuance: Monograph
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Front matter -- Contents -- Series Preface -- First Introduction -- Second Introduction -- The Seminars -- 1. The national situation -- 2. Translation -- 3. The prehistory of globalization -- 4. Hybridity -- 5. Temporality -- 6. Postcolonial narratives -- 7. Neoliberalism -- 8. Four failures of the seminars -- 9. Universality -- Assessments -- Globalism/Globalization -- Letter on globalization -- Letter on globalization -- Hybridization and the geopolitics of art -- The oxymoron of global art -- Circulate, but without differences! -- Academic difficulties with “convergence” : globalization and contemporary art -- Art, globalization, and imperialism -- Narratives of belonging: on the relation of the art institution and the changing nation-state -- Originality, universality, and other modernist myths -- Contemporary art, “contemporaneity,” and world art history -- Speaking of modern and contemporary asian art -- A distant view -- Globalization and transnational modernism -- Art history and architecture’s aporia -- So what might be solved here? -- Perspectives on scale: From the atomic to the universal -- A remark on globalization in (east) Central Europe -- Globalization and (contemporary) art -- Thinking through shards of china -- In and out of the local -- What’s wrong with global art? -- global art history and transcultural studies -- looking for something -- nomadic territories and times -- Dead parrot society -- Geoaesthetic hierarchies: geography, geopolitics, global art, and coloniality -- Afterword -- Notes on the contributors -- Index
Sommario/riassunto: The “biennale culture” now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art.Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susan Buck-Morss, John Clark, Iftikhar Dadi, T. J. Demos, Néstor García Canclini, Charles Green, Suman Gupta, Harry Harootunian, Michael Ann Holly, Shigemi Inaga, Fredric Jameson, Caroline Jones, Thomas DaCosta Kaufmann, Anthony D. King, Partha Mitter, Keith Moxey, Saskia Sassen, Ming Tiampo, and C. J. W.-L. Wee.Art and Globalization is the first book in the Stone Art Theory Institutes Series. The five volumes, each on a different theoretical issue in contemporary art, build on conversations held in intensive, weeklong closed meetings. Each volume begins with edited and annotated transcripts of those meetings, followed by assessments written by a wide community of artists, scholars, historians, theorists, and critics. The result is a series of well-informed, contentious, open-ended dialogues about the most difficult theoretical and philosophical problems we face in rethinking the arts today.
Titolo autorizzato: Art and Globalization  Visualizza cluster
ISBN: 0-271-07441-8
0-271-07225-3
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910816654003321
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Serie: Stone art theory institutes (Series) ; ; Volume 1.