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| Autore: |
Ramel Annie
|
| Titolo: |
The madder stain : a psychoanalytic reading of Thomas Hardy / / by Annie Ramel
|
| Pubblicazione: | Leiden, Netherlands ; ; Boston, [Massachusetts] : , : Brill/Rodopi, , 2015 |
| ©2015 | |
| Descrizione fisica: | 1 online resource (190 pages) |
| Disciplina: | 823/.8 |
| Soggetto topico: | Psychoanalysis and literature - England - History - 19th century |
| Psychoanalysis and literature - England - History - 20th century | |
| Voice in literature | |
| Psychology in literature | |
| Nota di bibliografia: | Includes bibliographical references and indexes. |
| Nota di contenuto: | Preliminary Material -- Introduction -- The Letter Killeth -- The Feminine: Reading Hardy after Lacan’s xxth Seminar -- The Logic of Desire -- The Object Gaze -- The Object-Voice -- Conclusion -- Bibliography -- Index of Names -- Index of Subjects. |
| Sommario/riassunto: | The “madder stain” imprinted on Tess d’Urberville’s arm is part of a motif which runs through Hardy’s fiction. Similar to Barthes’s punctum shooting out of the studium , the stain is a place where the Real erupts, a blind spot that eludes interpretation. In the diegesis of the tragic novels, it is a surplus object whose intrusion disrupts reality and spells disaster. This book attempts to approach that unknowable kernel of jouissance by using Lacan’s concepts of object-gaze and object-voice—sometimes revisited by Zizek. The stain has a vocal quality: it is silence audible. In a world where sound cannot reverberate for lack of a structural void, voice is by necessity muted, stuck in the throat. Hence the peculiar quality of Tess’s voice, a silent feminine cry that has retained something of the lost vocal object. The sound of silence is what Hardy’s poetic prose allows us to hear. |
| Titolo autorizzato: | The madder stain ![]() |
| ISBN: | 90-04-29662-X |
| Formato: | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910810400703321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilitĂ qui |