Postcommunist film : Russia, Eastern Europe and world culture : moving images of postcommunism / / edited by Lars Lyngsgaard Fjord Kristensen

• Pubblicazione: Abingdon, Oxon ; ; New York, NY, : Routledge, 2012
• Edizione: 1st ed.
• Descrizione fisica: 1 online resource (217 p.)
• Disciplina: 302.23/430947
• Soggetto topico: Motion pictures - Social aspects - Russia (Federation); Motion pictures - Political aspects - Russia (Federation); Motion pictures - Social aspects - Europe, Eastern; Motion pictures - Political aspects - Europe, Eastern; Post-communism - Social aspects - Russia (Federation); Post-communism - Social aspects - Europe, Eastern
• Altri autori: KristensenLars Lyngsgaard Fjord
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Front Cover; Postcommunist Film - Russia, Eastern Europe and World Culture; Copyright Page; Contents; Figures; Foreword; Acknowledgements; Notes on contributors; Introduction: Lars Kristensen; Part l: Cultural strategies, industry and reception; 1. National identity in post-9/11 transnational cinema: Jasmijn Van Gorp; 2. Baltic cinema: Zoe Aiano; 3. Belgrade as New York: Vlastimir Sudar; 4. 'Haven't you heard of internationalism?': Ros Gray; 5. The remains of socialist realism: Lars Kristensen; 6. Spotting the eagle on Anglophone turf: Bruce Williams; Part ll: People, place and nation ; 7. Demolish, preserve or beautify: Ewa Mazierska8. Treading new paths: Sune Bechmann Pedersen; 9. The crime that changed Serbia: Nevena Daković; 10. Projected nation and projected self: Yun-Hua Chen; 11. Truancy, or thought from the provinces: Yün Peng; 12. Representations of former USSR and Eastern European identity in Turkish cinema: Serazer Pekerman; References; Index
• Sommario/riassunto: A post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines post-communist cross culturalism and global totalitarianism within film.The book examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian city films to revolutio
• Titolo autorizzato: Postcommunist film
• ISBN: 1-136-47555-9; 1-136-47556-7; 0-203-13115-0
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910809891003321
• Lo trovi qui: Univ. Federico II
• Serie: Routledge contemporary Russia and Eastern Europe series.