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Tunes for 'toons [[electronic resource] ] : music and the Hollywood cartoon / / Daniel Goldmark



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Autore: Goldmark Daniel Visualizza persona
Titolo: Tunes for 'toons [[electronic resource] ] : music and the Hollywood cartoon / / Daniel Goldmark Visualizza cluster
Pubblicazione: Berkeley, : University of California Press, c2005
Descrizione fisica: 1 online resource
Disciplina: 781.5/42
Soggetto topico: Animated film music - History and criticism
Soggetto non controllato: 20th century american film history
20th century animation history
american culture
animation
carl stalling
cartoon opera
cartoons
classical music
cue sheets
entertainment industry
film studies
golden age of animation
hollywood animated cartoons
hollywood animation studios
jazz
lantz
mgm
music and animation
music studies
music
musicality
opera
popular music
scott bradley
silly symphonies
swing culture
the fleischers
theatrical cartoons
warner bros
whats opera doc
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references (p. 199-212) and index.
Nota di contenuto: Carl Stalling and popular music in the Warner Bros. cartoons -- "You really do beat the shit out of that cat" : Scott Bradley's (violent) music for M-G-M -- Jungle jive : animation, jazz music, and swing culture -- Corny concertos and silly symphonies : classical music and cartoons -- What's opera, doc? and cartoon opera.
Sommario/riassunto: In the first in-depth examination of music written for Hollywood animated cartoons of the 1930's through the 1950's, Daniel Goldmark provides a brilliant account of the enormous creative effort that went into setting cartoons to music and shows how this effort shaped the characters and stories that have become embedded in American culture. Focusing on classical music, opera, and jazz, Goldmark considers the genre and compositional style of cartoons produced by major Hollywood animation studios, including Warner Bros., MGM, Lantz, and the Fleischer's. Tunes for 'Toons discusses several well-known cartoons in detail, including What's Opera, Doc?, the 1957 Warner Bros. parody of Wagner and opera that is one of the most popular cartoons ever created. Goldmark pays particular attention to the work of Carl Stalling and Scott Bradley, arguably the two most influential composers of music for theatrical cartoons. Though their musical backgrounds and approaches to scoring differed greatly, Stalling and Bradley together established a unique sound for animated comedies that has not changed in more than seventy years. Using a rich range of sources including cue sheets, scores, informal interviews, and articles from hard-to-find journals, the author evaluates how music works in an animated universe. Reminding readers of the larger context in which films are produced and viewed, this book looks at how studios employed culturally charged music to inspire their stories and explores the degree to which composers integrated stylistic elements of jazz and the classics into their scores.
Titolo autorizzato: Tunes for 'toons  Visualizza cluster
ISBN: 1-282-36038-8
1-4237-3040-2
9786612360381
0-520-94120-9
1-59875-797-0
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910783318203321
Lo trovi qui: Univ. Federico II
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