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The new German cinema : music, history, and the matter of style / / Caryl Flinn



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Autore: Flinn Caryl Visualizza persona
Titolo: The new German cinema : music, history, and the matter of style / / Caryl Flinn Visualizza cluster
Pubblicazione: Berkeley, : University of California Press, c2004
Edizione: 1st ed.
Descrizione fisica: 1 online resource (332 p.)
Disciplina: 791.43/657
Soggetto topico: Motion picture music - Germany - History and criticism
Motion pictures - Germany
Soggetto non controllato: cinema historians
contemporary germany
famous films
film buffs
film students
film styles
film textbooks
german cinema
german cinematic style
german culture
german directors
german music
germany
historical contexts
historical review
kitsch
music styles
music
national identity
new german cinema
nonfiction
personal identity
political identity
r w fassbinder
sexual identity
transnational contexts
ulrike ottinger
werner schroeter
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Front matter -- Contents -- Acknowledgments -- Introduction: "Strategies Of Remembrance" -- 1. Mourning, Melancholia, And "New German Melodrama" -- 2. Modernism's Aftershocks: Peer Raben's Film Music For Fassbinder -- 3. Kluge's Assault On History: Trauma, Testimony, And Difference In The Patriot -- 4. Undoing Act 5: History, Bodies, And Operatic Remains: Kluge's The Power Of Emotion -- 5. Restaging History With Fantasy: Body, Camp, And Sound In The Films Of Treut, Ottinger, And Von Praunheim -- 6. Introjecting Kitsch: Werner Schroeter, Music, And Alterity -- Coda: Working The Pieces -- Notes -- Index
Sommario/riassunto: When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity-national, political, personal, and sexual-music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference-including that embodied in Germany's difficult history-rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.
Titolo autorizzato: The new German cinema  Visualizza cluster
ISBN: 9786612359705
0-520-93715-5
1-59734-773-6
1-282-35970-3
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 996248202203316
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