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Words that tear the flesh : essays on sarcasm in medieval and early modern literatures and cultures / / edited by Alan Baragona and Elizabeth L. Rambo



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Titolo: Words that tear the flesh : essays on sarcasm in medieval and early modern literatures and cultures / / edited by Alan Baragona and Elizabeth L. Rambo Visualizza cluster
Pubblicazione: Berlin, [Germany] ; ; Boston, [Massachusetts] : , : De Gruyter, , 2018
©2018
Descrizione fisica: 1 online resource (378 pages)
Disciplina: 809.918
Soggetto topico: Irony
Soggetto non controllato: Sarcasm
early modern
irony
medieval
Persona (resp. second.): BaragonaAlan
RamboElizabeth L.
Nota di bibliografia: Includes bibliographical references and indexes.
Nota di contenuto: Frontmatter -- Acknowledgements and Dedications -- Table of Contents -- Introduction / Baragona, Alan / Rambo, Elizabeth L. -- Encountering Snarks in Anglo-Saxon Translation / McDonald, Rick -- Trolling in Old Norse / Abram, Christopher -- Snark and the Saint / Johnson, Máire -- Comic Authority / Farrell, Jeremy -- Sarcasm and its Consequences in Diplomacy and Politics in Medieval Italy / Applauso, Nicolino -- "A lowed laghtur that lady logh" / Best, Debra E. -- "Hostilis Inrisio" / Lee, Brian S. -- Self-Evident Morals? / Bernstein, Esther -- Let's Not Get Snarky about Derision! / Sokolski, Patricia -- Poking [Fun] at [the Foibles of] the Flesh / Friedrich, Ellen Lorraine -- Sarcasm in Medieval German and Old Norse Literature / Classen, Albrecht -- Sarcasm and Heresy / Tiner, Elza C. -- Lorenzo Valla's "Intellectual Violence" / O'Neil, Scott -- Snarky Shrews / Ricke, Joe -- Bibliography -- Contributors' Biographies -- Index of Names -- Index of Subjects
Sommario/riassunto: The rhetorical trope of irony is well-trod territory, with books and essays devoted to its use by a wide range of medieval and Renaissance writers, from the Beowulf-poet and Chaucer to Boccaccio and Shakespeare; however, the use of sarcasm, the "flesh tearing" form of irony, in the same literature has seldom been studied at length or in depth. Sarcasm is notoriously difficult to pick out in a written text, since it relies so much on tone of voice and context. This is the first book-length study of medieval and Renaissance sarcasm. Its fourteen essays treat instances in a range of genres, both sacred and secular, and of cultures from Anglo-Saxon to Arabic, where the combination of circumstance and word choice makes it absolutely clear that the speaker, whether a character or a narrator, is being sarcastic. Essays address, among other things, the clues writers give that sarcasm is at work, how it conforms to or deviates from contemporary rhetorical theories, what role it plays in building character or theme, and how sarcasm conforms to the Christian milieu of medieval Europe, and beyond to medieval Arabic literature. The collection thus illuminates a half-hidden but surprisingly common early literary technique for modern readers.
Titolo autorizzato: Words that tear the flesh  Visualizza cluster
ISBN: 3-11-056225-1
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910825615303321
Lo trovi qui: Univ. Federico II
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Serie: Fundamentals of medieval and early modern culture ; ; Volume 21.