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Color and empathy : essays on two aspects of film / / Christine N. Brinckmann [[electronic resource]]



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Autore: Brinckmann Christine <1937-> Visualizza persona
Titolo: Color and empathy : essays on two aspects of film / / Christine N. Brinckmann [[electronic resource]] Visualizza cluster
Pubblicazione: Amsterdam : , : Amsterdam University Press, , 2014
Edizione: 1st ed.
Descrizione fisica: 1 online resource (269 pages) : digital, PDF file(s)
Disciplina: 791
Soggetto topico: Colors in motion pictures - History
Color cinematography - History
Color motion pictures - History
Soggetto non controllato: Film poetics
colour in film
documentary film
historical stylistics
viewer response
Note generali: Title from publisher's bibliographic system (viewed on 23 Jun 2021).
Nota di contenuto: Front matter -- Table of Contents -- Preface / Brinckman, Christine N. -- Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun's Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin's Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition
Sommario/riassunto: The collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses. Employing a bottom-up approach as a basis for theoretical exploration, each of the essays concentrates on a particular film or a number of related films to come to terms with a set of issues. These include the differences between black-and-white and color works, the emergence of bold chromatic schemes in the 1950s, experimental aesthetics of color negative stock, idiosyncratic uses of colour, idiosyncratic uses of motor mimicry, genre-specific reactions to the documentary, and empathetic reactions to animals and to architecture in film.
Titolo autorizzato: Color and empathy  Visualizza cluster
ISBN: 90-485-2326-5
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910810766303321
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Serie: Film culture in transition.