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Autore: | Souter Gerry |
Titolo: | American realism [[electronic resource] /] / Gerry Souter |
Pubblicazione: | New York, : Parkstone International, c2009 |
Descrizione fisica: | 1 online resource (256 p.) |
Disciplina: | 759.13 |
Soggetto topico: | Painting, American - 20th century |
Realism in art - United States | |
Soggetto genere / forma: | Electronic books. |
Note generali: | Description based upon print version of record. |
Nota di bibliografia: | Includes bibliographical references and index. |
Nota di contenuto: | Contents; INTRODUCTION; Eastman Johnson (1824-1906); Winslow Homer (1836-1910); thomas eakins (1844-1916); William Michael harnett (1848-1892); frederic remington (1861-1909); robert henri (1865-1929) and the "ashcan artists"; Robert Henri; Everett Shinn; George Luks; William Glackens; John Sloan; George Bellows; Summary of the Ashcan Artists; edward hopper (1882-1967); Thomas hart benton (1889-1975); grant wood (1892-1942); charles burchfield (1893-1967); andrew wyeth (1917-2009); notes; bibliography; index |
Sommario/riassunto: | Urban realism, snow-covered streets of New York, boxing matches, children on the banks of a river, the painters of the Ash Can School preferred realistic images. Their paintings are a true hymn to noise and sensations. This unconventional movement enabled the birth of a true national artistic identity which broke free from the establishment. The Ash Can School resolutely promoted the affirmation of the modernist current of American art. Edward Hopper, who was a student of Robert Henri, embraced the principles of this movement and brought them to another level. |
Titolo autorizzato: | American realism |
ISBN: | 1-283-95757-4 |
1-78042-992-4 | |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910465714303321 |
Lo trovi qui: | Univ. Federico II |
Opac: | Controlla la disponibilità qui |