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Liveness on stage : intermedial challenges in contemporary British theatre and performance / / Claudia Georgi



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Autore: Georgi Claudia <1979-> Visualizza persona
Titolo: Liveness on stage : intermedial challenges in contemporary British theatre and performance / / Claudia Georgi Visualizza cluster
Pubblicazione: Berlin, [Germany] ; ; Boston, [Massachusetts] : , : De Gruyter, , 2014
©2014
Descrizione fisica: 1 online resource (282 p.)
Disciplina: 792.0941/09051
Soggetto topico: Theater - Great Britain - History - 21st century
Theater - Technological innovations - Great Britain
Experimental theater - Great Britain
Soggetto non controllato: Film and Video
Intermediality
Theatre and Performance
Theatre
Classificazione: HN 1274
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and indexes.
Nota di contenuto: Front matter -- Contents -- Acknowledgements -- Introduction -- 1 (Inter-)Mediality -- 2 Drama, Theatre and (Inter-)Mediality -- 3 Mediation, Mediatisation and Liveness -- 4 Liveness on Stage -- Conclusion -- Works Cited -- Index of Performances -- General Index
Sommario/riassunto: Theatre is traditionally considered a live medium but its 'liveness' can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality, Liveness on Stage explores how performances that incorporate film or video self-reflexively stage and challenge their own liveness by contrasting or approximating live and mediatised action. To illustrate this, the monograph investigates key aspects such as 'ephemerality', 'co-presence', 'unpredictability', 'interaction' and 'realistic representation' and highlights their significance for re-evaluating received notions of liveness. The analysis is based on productions by Gob Squad, Forkbeard Fantasy, Station House Opera, Proto-type Theater, Tim Etchells and Mary Oliver. In their playful approaches these practitioners predominantly present such media combination as a means of cross-fertilisation rather than as an antagonism between liveness and mediatisation. Combining an original theoretical approach with an in-depth analysis of the selected productions, this study will appeal to scholars and practitioners of theatre and performance as well as to those researching intermedial phenomena.
Titolo autorizzato: Liveness on stage  Visualizza cluster
ISBN: 3-11-039504-5
3-11-034653-2
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910817890703321
Lo trovi qui: Univ. Federico II
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Serie: CDE studies ; ; Volume 25.