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Crime films / / Thomas Leitch



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Autore: Leitch Thomas M. Visualizza persona
Titolo: Crime films / / Thomas Leitch Visualizza cluster
Pubblicazione: Cambridge : , : Cambridge University Press, , 2002
Descrizione fisica: 1 online resource (xv, 383 pages) : digital, PDF file(s)
Disciplina: 791.43/655
Soggetto topico: Crime films - United States - History and criticism
Police films - United States - History and criticism
Gangster films - United States - History and criticism
Detective and mystery films - United States - History and criticism
Note generali: Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Nota di bibliografia: Filmography: pages 341-357.
Includes bibliographical references (pages 331-339) and index.
Nota di contenuto: Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Illustrations; Acknowledgments; 1 The Problem of the Crime Film; 2 Historical and Cultural Overview; 3 Critical Overview; 4 Fury and the Victim Film; 5 The Godfather and the Gangster Film; 6 Double Indemnity and the Film Noir; 7 Basic Instinct and the Erotic Thriller; 8 Murder on the Orient Express, Blue Velvet, and the Unofficial-Detective Film; 9 Chinatown and the Private-Eye Film; 10 Bullitt and the Police Film; 11 Reversal of Fortune and the Lawyer Film; 12 Fargo and the Crime Comedy
13 Conclusion: What Good Are Crime Films? Notes; Selected Bibliography; Filmography/Videography; Index
Sommario/riassunto: This book surveys the entire range of crime films, including important subgenres such as the gangster film, the private eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim and the avenger. Analyzing how each of the subgenres establishes oppositions among its ritual antagonists, he shows how the distinctions among them become blurred throughout the course of the century. This blurring, Leitch maintains, reflects and fosters a deep social ambivalence towards crime and criminals, while the criminal, victim and avenger characters effectively map the shifting relations between subgenres, such as the erotic thriller and the police film, within the larger genre of crime film that informs them all.
Titolo autorizzato: Crime films  Visualizza cluster
ISBN: 9780511148538
0511148534
9780511036286
0511036280
9781107128064
1107128064
9780511040283
0511040288
9780511556180
0511556187
9780511606458
0511606451
9780511051517
0511051514
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910777066803321
Lo trovi qui: Univ. Federico II
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Serie: Genres in American cinema.