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Autore: | Zanella Francesca |
Titolo: | Multidisciplinary Aspects of Design : Objects, Processes, Experiences and Narratives / / edited by Francesca Zanella, Giampiero Bosoni, Elisabetta Di Stefano, Gioia Laura Iannilli, Giovanni Matteucci, Rita Messori, Raffaella Trocchianesi |
Pubblicazione: | Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2024 |
Edizione: | 1st ed. 2024. |
Descrizione fisica: | 1 online resource (783 pages) |
Disciplina: | 658.4062 |
658.514 | |
Soggetto topico: | Technological innovations |
Cultural property | |
Design | |
Innovation and Technology Management | |
Cultural Heritage | |
Altri autori: | BosoniGiampiero Di StefanoElisabetta IannilliGioia Laura MatteucciGiovanni MessoriRita TrocchianesiRaffaella |
Nota di contenuto: | Intro -- Introduction -- Contents -- OBJECTS -- Beyond the Beauty-Utility Diatribe -- 1 Introduction -- 2 Sustainable Design Between Ethics and Aesthetics -- 3 Frugality as an Aesthetic Category for Ecodesign -- 4 Conclusion -- References -- "The Useful-Beautiful Couplet": On the Aesthetic Appraisal of Designed Objects -- References -- Imaginative Object and Mimetic Object -- 1 Introduction -- 2 Aesthetics of Toys -- 3 Mimesis, Imagination, Pleasure -- References -- OBJECTS. Objects Between Anthropology and Material Culture -- Seaweed Fabrics for Fashion Design. A Field Research Experience -- 1 Introduction -- 2 New Materialism Within the Water -- 3 A Workshop with Fashion Design Students -- 4 From Seaweed to Bodies -- 5 Conclusions -- References -- Material Objects as Dispositive of Memory -- 1 Research Methodology -- 2 Deductive Method: Designing Material Objects -- 2.1 Design Methodology -- 2.2 Design Tools -- 2.3 Design Outcome: Manufactured Artifacts -- 3 Abduction -- 3.1 Phenomenological Inquiry: Dubai World Expo as Object of Interest -- 3.2 Place-Making as Object of Memory -- 4 Conclusion -- References -- Objects Between Material Culture and Visual Culture -- 1 Visual culture and objects -- 2 Empirical Attempts of Analysis: Kitchen Objects in the American Filmography of the Last Twenty years -- 3 Conclusion -- References -- Puppets' Tales. New Design Perspectives for a Multimedia Archive of a Humanity's Intangible Heritage -- 1 Puppets in the UNESCO's Intangible Heritages List -- 2 New Approaches for Preserving Puppets' Heritage -- 2.1 Puppets' Museums: An Overview -- 2.2 Puppets' Multimedia Archive -- 2.3 Docudramas on Puppets Traditions -- 3 A Didactic Experiment -- 3.1 Objectives -- 3.2 Context and Methodology -- 3.3 Final Outputs: Description and Analysis -- 4 Measuring Impacts: A Democratized Knowledge -- References. |
Anonima Castelli. Objects, Design and Cultural Heritage -- 1 Design as a Cultural Heritage Asset -- 2 The Anonima Castelli Company -- 3 From the Archive to the Market: Current Production, Educational Experiences and the Research Project -- References -- OBJECTS. Political and Social Value of Objects -- Through the Mirror. Concept Maps to not Lose (One's Way Between) Objects -- 1 "Psychological Reaction" Objects -- 2 Functions and Meanings -- 2.1 Recognise and Discover Oneself -- 2.2 Double - Splitting -- 2.3 Door to Fantasy -- 2.4 Vanitas -- 2.5 Mirror and Soul -- 2.6 Mirror and Sexuality -- 3 Techniques -- 3.1 Double Mirror - Multiplication or "Mise en Abyme" -- 3.2 In photography and Cinema -- 3.3 Deforming Mirrors -- 3.4 "Functional" Mirrors -- 4 Conclusions -- References -- For F☆ck's Sake. The Political Narrative of Sex Toys in the Communication of MySecretCase -- 1 Introduction -- 2 Research Background -- 3 Methodology -- 4 Analysis -- 5 Discussion and Conclusions -- References -- Telephones in Italy, the Italtel Study-Case -- 1 Methodology and Sources -- 2 From Sit-Siemens to Italtel -- 3 The Eighties -- 4 Conclusion -- References -- Design and Self-reproduction: A Theoretical-Political Perspective -- References -- OBJECTS. Philosophy and Representation -- Everyday Design: The Aesthetic Dimension of Alternative Use -- 1 Introduction -- 2 Functional Accounts of Design Aesthetic Appreciation -- 2.1 An Alternative Paradigm -- 2.2 The Role that the Notion of "Function" Plays within FADAA -- 2.3 From Acknowledged to Prescribed Function -- 3 Appreciating Everyday Design -- 3.1 Possible Objections -- 3.2 A New Framework for the Aesthetics of Design -- 4 Conclusion -- References -- Digital Objects' Aesthetic Features. Virtuality and Fluid Materiality in the Aesthetic Education -- 1 Digital Objects and Virtual Bodies. | |
1.1 A Wide Variety of Materiality -- 2 The Issue of Immateriality and New Forms of Aesthetic Education -- 2.1 From the "Systems Esthetic" to the Aesthetics of Communication -- 2.2 Material Engagement Theory and "Digital Materiality" -- 2.3 From Virtual to Physical Object: Towards New Forms of Aesthetic Education -- 2.4 Conclusions -- References -- The Value System of Objects Through the Interpretation of Photographic Language -- 1 Functional Values (But Not Only) -- 2 The Photographer's Creativity as Added Value -- 3 Narrative, Symbolic and Experiential-Relational Values -- 4 The Designer Photographer -- 5 Conclusion -- References -- Objects, Things, Hyperobjects. A Philosophical Gaze on Contemporary Design -- 1 Transition 1: From Object to Thing -- 2 Transition 2 - From Thing to Organism -- 3 Transition 3 - From Organism to Hyperobject -- 4 Hyperobjects: A Philosophical-Based Design Research -- 5 Conclusions -- References -- OBJECTS. Symbolic Value and Use Value -- The Evolution of Yacht: From Status-Symbol to Values' Source -- 1 Research Context -- 1.1 Yacht Design Discipline -- 1.2 Raising Market Trends -- 2 Problem Framing -- 2.1 Status-Symbol Object Objects: The Yachts -- 2.2 Luxury and Sustainability: Conflict or Synergy? -- 2.3 Research Questions -- 3 Applied Methodology -- 4 Findings and Research Evidence: The Yachting Evolution -- 4.1 Formal Evolution -- 4.2 New Values for Sustainable Luxury in Yachting -- 5 Conclusion -- 6 Further Research -- References -- Liberating the Imprisoned Soul of Dorian Gray: Cultural Affordance as Design Tool to Rediscover Cultural Values -- 1 Introduction -- 1.1 The Picture of Dorian Gray as Reflection of Semantic Crisis -- 1.2 Problem Statement and its Interpretation -- 1.3 Research Hypothesis and Structure of the Paper -- 2 Review on Concepts and Their Intrinsic Problematic. | |
2.1 A Review About Affordance Theory and Cultural Contribution to Such Concept -- 2.2 Universality or Context Oriented -- 3 Review on Examples from Egypt and Iran -- 3.1 Critical Design Approach in Egypt to Explore People's Awareness of Cultural Content -- 3.2 Example from Iran -- 4 References for Detecting Cultural Affordances: Reflective Translation -- 5 Design as a Manifestation and Further Considerations -- References -- The Extraordinary Everyday. The Post-Crafts in the Historical City -- 1 Where is the Craftsman? -- 2 Ordinary vs. Extraordinary -- 3 Anna Maria Fundarò: Design as Material Culture -- 4 New Craft in the Historic Centre -- 5 New Domestic and Autobiographical Dimensions: Projects -- 6 Conclusion -- References -- PROCESSES -- Archives and Processes -- 1 Processes and Archives -- 2 Through the 1970s -- 2.1 Bruno Munari. The Rule and Chance -- 2.2 Enzo Mari Design and Archive -- 2.3 Alessandro Mendini. The Vertigo of the List and the Theory of Fragment -- 3 Conclusions -- References -- 25 Ways to Hammer a Nail. "Postcrocian" Aesthetics and Everyday Life's Poetics in Enzo Mari -- 1 Beyond Croce. Towards a Revaluation of the Operating and Fruitive Processes -- 1.1 Design, Process, Form -- 1.2 Design and The Poetics Of Everyday Life -- References -- PROCESSES. Contemporary Strategies and Perspectives -- Design Through Body Memory for the Regeneration of Urban Areas -- 1 Introduction -- 2 Memory and Reinvention -- 3 Place and Memory: The Lazzaretto Nuovo in Venice -- 3.1 Research Objectives -- 3.2 Methodology -- 3.3 Results -- 4 Role of Design -- References -- Environmental Re-design of the Top San No Touch 2.0 Portable Toilet: The Contribution of the Bio-inspired Approach -- 1 Introduction -- 2 Research, Selection, Analysis of Case Study for Biomimetic Design Experimentation. | |
3 Bio-inspired Product Re-design and Comparative Environmental Analysis -- 4 Conclusions -- References -- How to Use Strategic Design Process to Address Complex Challenges -- 1 Introduction -- 2 Theoretical Background -- 3 Research Methodology -- 4 Results -- 4.1 Mapping the Company and Assessing the Market -- 4.2 Analyzing the Most Important Stakeholders -- 4.3 Building Scenarios -- 4.4 Developing Both a New Services Set and a New Identity -- 5 Discussion -- References -- Design for Emergencies -- 1 Emergency and Its Dichotomy Within the Project Culture -- 2 Cycles and Waves: A Considered Overview on Strategies Applied by Design for Emergency -- 2.1 Strategies and Products in Response to Cyclical Emergencies -- 2.2 Strategies and Products in Response to Wave Emergencies -- 3 Conclusions -- References -- PROCESSES. Histories of Processes and Processes for History -- Exhibiting Design as a Process -- 1 Exhibiting Design as a Process -- 2 The Digital Models -- 3 Case Study 1: The Ettore Sottsass Archive -- 4 Case Study 2: The Typeline Project -- References -- Toward Paris! 45 Years of Domus for a Design à la Français -- References -- Archival Projects. Tools and Methods for Promoting the Corporate Culture Starting from Historical Brand -- 1 Introduction -- 2 The project -- 2.1 MaToSto.it - Marchi Torinesi nella Storia -- 2.2 The Developed and Adopted Methodology -- 2.3 Research and Quantitative Analysis -- 2.4 Qualitative Analysis -- 2.5 Exploratory Analysis and Definition of Project Outputs -- 3 Conclusions -- References -- Working in Regress and Beyond, with Rural Material Culture [1] -- 1 Introduction -- 1.1 Claudio Costa's Indagine su una cultura -- 1.2 Superstudio's Cultura Materiale Extraurbana -- 1.3 Mario Cresci's Misurazioni -- 2 To Conclude -- References -- PROCESSES. Design Methodological Processes. | |
Air as a Design Tool: Raw Material, Infra-material Space, and Transformative Matter. | |
Sommario/riassunto: | This open access book gathers the contributions from the Design! OPEN International Conference, held in Parma, Italy in May 2022. The conference explored the multidisciplinary aspects of design starting from its dimensions: objects (design as focused on the object, on its functional and symbolic dimension, and at the same time on the object as a tool for representing cultures), processes (the designer’s self-reflective moment which is focused on the analysis and on the definition of processes in various contexts, spanning innovation, social engagement, reflection on emergencies or forecasting), experiences (design as a theoretical and practical strategy aimed at facilitating experiential interactions among people, people and objects or environments), and narratives (making history, representing through different media, archiving, narrating, and exhibiting design). The contributions, which were selected by means of a rigorous international peer-review process, highlight numerous exciting ideas that will spur novel research directions and foster multidisciplinary collaboration among different specialists. |
Titolo autorizzato: | Multidisciplinary Aspects of Design |
ISBN: | 3-031-49811-9 |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910799275903321 |
Lo trovi qui: | Univ. Federico II |
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