Vai al contenuto principale della pagina

Asking the Audience : Participatory Art in 1980s New York / / Adair Rounthwaite



(Visualizza in formato marc)    (Visualizza in BIBFRAME)

Autore: Rounthwaite Adair <1983-> Visualizza persona
Titolo: Asking the Audience : Participatory Art in 1980s New York / / Adair Rounthwaite Visualizza cluster
Pubblicazione: Minneapolis, Minnesota ; ; London, [England] : , : University of Minnesota Press, , 2017
©2017
Descrizione fisica: 1 online resource (284 pages) : illustrations, photographs
Disciplina: 702.81
Soggetto topico: Art, American - New York (State) - New York - 20th century
Interactive art - New York (State) - New York
ART - General
Art, American
Interactive art
Note generali: Includes index.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Introduction: recovering audience -- The politics of participation -- The pedagogical subject of participation -- Photography, agency, and participation -- Art, affect, crisis -- Conclusion: partcipation in the present.
Sommario/riassunto: The 1980s was a critical decade in shaping today's art production. While newly visible work concerned with power and identity hinted at a shift toward multiculturalism, the '80s were also a time of social conservatism that resulted in substantial changes in arts funding. In Asking the Audience, Adair Rounthwaite uses this context to analyze the rising popularity of audience participation in American art during this important decade. Rounthwaite explores two seminal and interrelated art projects sponsored by the Dia Art Foundation in New York: Group Material's Democracy and Martha Rosler's If You Lived Here.... These projects married issues of social activism--such as homelessness and the AIDS crisis--with various forms of public participation, setting the precedent for the high-profile participatory practices currently dominating global contemporary art. Rounthwaite draws on diverse archival images, audio recordings, and more than thirty new interviews to analyze the live affective dynamics to which the projects gave rise. Seeking to foreground the audience experience in understanding the social context of participatory art, she argues that affect is key to the audience's ability to exercise agency within the participatory artwork. From artists and audiences to institutions, funders, and critics, Asking the Audience traces the networks that participatory art creates between various agents, demonstrating how, since the 1980s, leftist political engagement has become a cornerstone of the institutionalized consumption of contemporary art.
Altri titoli varianti: Participatory Art in 1980s New York
Titolo autorizzato: Asking the Audience  Visualizza cluster
ISBN: 9781452953861
1452953864
9780816698721 (hc : alk. paper)
9780816698738 (pb : alk. paper)
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910160341803321
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui