Filming the everyday : independent documentaries in twenty-first-century China / / edited by Paul G. Pickowicz and Yingjin Zhang

• Pubblicazione: Lanham, Maryland : , : Rowman & Littlefield, , 2017; ©2017
• Descrizione fisica: 1 online resource (213 pages)
• Disciplina: 951
• Soggetto geografico: China History
• Persona (resp. second.): PickowiczPaul; ZhangYingjin
• Nota di bibliografia: Includes filmographies and index.
• Nota di contenuto: Pt. 1. Cultural context -- Paul G. Pickowicz and Yingjin Zhang, "Introduction: documenting China independently" --Yingjin Zhang, "Who's afraid of the documentary camera" refiguring reality, memory, and power in Chinese independent documentary -- Yomi Braester, "For whom does the director speak" the ethics of representation in documentary film criticism -- Pt. 2. Rural reconfigurations -- Angie Chau, "From root-searching to grassroots: returning to the countryside in contemporary Chinese fiction and independent documentary film" -- Paul G. Pickowicz, "Zou Xueping's postsocialist homecoming" -- Pt. 3. Embodied filmmaking -- Tong Wang, "Looking back while marching forward: reconfiguration of selfhood in the folk memory project" -- Laura Kissel, "The memory project and other ways of knowing: filmmaking, affect, and embodied knowledge" -- Pt. 4. Documentary enactments -- Alvin Wong, "Gendering intersubjectivity in new Chinese documentary: feminist multiplicity and vulnerable masculinity in postsocialist China" -- Yiman Wang, "From bumming to roaming: Xu Tong's the Drifters trilogy" -- Hongjian Wang, "Documenting through reenacting: revisiting the performative mode in Chinese independent documentaries" Appendix: Michael Berry, "Memory/document: in dialogue with Wu Wenguang's memory project" -- -- Filmography.
• Titolo autorizzato: Filming the everyday
• ISBN: 1-4422-7025-X
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910153201303321
• Lo trovi qui: Univ. Federico II