Vai al contenuto principale della pagina

Love and Money : Queers, Class, and Cultural Production / / Lisa Henderson



(Visualizza in formato marc)    (Visualizza in BIBFRAME)

Autore: Henderson Lisa Visualizza persona
Titolo: Love and Money : Queers, Class, and Cultural Production / / Lisa Henderson Visualizza cluster
Pubblicazione: New York, NY : , : New York University Press, , [2013]
©2013
Descrizione fisica: 1 online resource (214 p.)
Disciplina: 306.766
Soggetto topico: Gay people in mass media
Social classes
Homosexuality - Social aspects
Gay people - Social conditions
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Class Character of Boys Don’t Cry -- 2. Queer Visibility and Social Class -- 3. Every Queer Thing We Know -- 4. Recognition: Queers, Class, and Dorothy Allison -- 5. Queer Relay -- 6. Plausible Optimism -- Conclusion: A Cultural Politics of Love and Solidarity -- Notes -- References -- Films -- Television Programs -- Index -- About the Author
Sommario/riassunto: Love and Money argues that we can’t understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness.Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace—rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don’t Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison’s novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste?With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life.
Titolo autorizzato: Love and Money  Visualizza cluster
ISBN: 0-8147-9059-3
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 996582065103316
Lo trovi qui: Univ. di Salerno
Opac: Controlla la disponibilitĂ  qui
Serie: Critical cultural communication.