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Cold War Cosmopolitanism : Period Style in 1950s Korean Cinema



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Autore: Klein Christina Visualizza persona
Titolo: Cold War Cosmopolitanism : Period Style in 1950s Korean Cinema Visualizza cluster
Pubblicazione: Oakland, : University of California Press, 2020
Descrizione fisica: 1 online resource (321)
Disciplina: 791.4302/33092
Soggetto topico: Films, cinema
Asian history
Media studies
Soggetto non controllato: 1950s
aesthetic
asia
cia
consumerism
cosmopolitanism
cultural cold war
feminism
film culture
film style
glamorous
golden age cinemas
han hyung mo
japanese colonialism
madame freedom
material ties
modernity
popular cultures
postwar years
regional political alliances
south korea
study of film style
transnational cultural history
us military bases
women
Nota di contenuto: Frontmatter -- Contents -- Illustrations -- Video Clips -- Acknowledgments -- Introduction -- 1. Postcolonial, Postwar, Cold War -- 2. Cold War Cosmopolitan Feminism -- 3. Public Culture -- 4. The Après Girl -- 5. Film Culture, Sound Culture -- 6. Consumer Culture and the Black Market -- 7. A Commitment to Showmanship -- Conclusion -- Notes -- Filmography -- Bibliography -- Index
Sommario/riassunto: "Han Hyung-mo was a major figure within South Korea’s Golden Age cinema. The director of Madame Freedom (1956), the most famous film of the 1950s, Han made popular films that explored women’s relationship to modernity. He was also a master stylist who introduced technological innovations and fresh ideas about film form and genre into Korean cinema. This book offers a transnational cultural history of Han’s films, one that foregrounds questions of gender and style. Han’s films embody a period style that Klein calls “Cold War cosmopolitanism.” The waging of the Cold War enmeshed South Korea within a network of ties to the Free World. Fostered by political leaders like Syngman Rhee, American institutions such as the US military and the Asia Foundation, and ordinary Koreans, these networks created channels through which material resources, liberal ideas, and cultural texts flowed into and out of Korea. Han and other cultural producers tapped into these networks to create new forms of commercial culture that meshed local concerns with foreign trends. Combining extensive archival research and in-depth analyses of individual films, Cold War Cosmopolitanism offers a fresh, interdisciplinary perspective on the waging of the cultural Cold War in Asia."
Titolo autorizzato: Cold War Cosmopolitanism  Visualizza cluster
ISBN: 0-520-29650-8
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 996359646203316
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