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Autore: | Coëgnarts Maarten |
Titolo: | Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick / / Maarten Coëgnarts |
Pubblicazione: | Boston, MA : , : Academic Studies Press, , [2019] |
©2019 | |
Descrizione fisica: | 1 online resource (264 p.) |
Disciplina: | 791.430233092 |
Soggetto topico: | Film theory & criticism |
Soggetto genere / forma: | Electronic books. |
Soggetto non controllato: | 2001: A Space Odyssey |
20th century film | |
Barry Lyndon | |
Eyes Wide Shut | |
Paths of Glory | |
Stanley Kubrick | |
The Shining | |
aesthetics | |
artistic intention | |
cinema studies | |
cognitive film theory | |
cognitive linguistics | |
communication | |
directing | |
embodied cognitive science | |
embodied meaning | |
evolutionary theory | |
film as language | |
film scores | |
film semiotics | |
film studies | |
film | |
filmmaking | |
metaphor | |
methodology | |
music | |
perception | |
philosophy | |
psychoanalysis | |
screenwriting | |
semiotics | |
twentieth century film | |
Nota di contenuto: | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. The Theoretical Context of This Study -- Chapter 1. Identifying the Meaning: In Search of the Concepts of Kubrick's Films -- Chapter 2. Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies -- Chapter 3. Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting -- Chapter 4. Fleshing Out the Embodied Meaning Visually: The Art of Kubrick -- Chapter 5. Seeing and Listening to Kubrick's Films: The Embodied Film Viewer -- Appendix -- Glossary -- Filmography -- Discography -- Bibliography -- Index |
Sommario/riassunto: | How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity. |
Titolo autorizzato: | Film as Embodied Art |
ISBN: | 1-64469-113-2 |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910342949503321 |
Lo trovi qui: | Univ. Federico II |
Opac: | Controlla la disponibilità qui |