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Liminalities of gender and sexuality in nineteenth-century Iranian photography : desirous bodies / / Staci Gem Scheiwiller



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Autore: Scheiwiller Staci Gem. Visualizza persona
Titolo: Liminalities of gender and sexuality in nineteenth-century Iranian photography : desirous bodies / / Staci Gem Scheiwiller Visualizza cluster
Pubblicazione: New York : , : Routledge, , 2017
Descrizione fisica: 1 online resource (240 pages)
Disciplina: 770.955
Soggetto topico: Photography - Iran - History - 19th century
Photography, Erotic - History - 19th century
Sex customs - Iran - History - 19th century
Soggetto geografico: Iran History Qajar dynasty, 1794-1925
Iran Social life and customs 19th century
Soggetto genere / forma: Electronic books.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Introduction: Locations of desire -- A language of its own : depictions of women in Iranian art before and shortly after the arrival of photography -- Corporeal politics : constructions of gender and power in the royal Nasiri photograph albums and the photography of the Constitutional Revolution (1905-11) -- Collecting women -- The erotic spaces of Qajar photography -- For the male gaze : depictions of masculinity and sexuality -- Enslaved bodies of desire : photographs of black African slaves in Qajar photography -- Conclusion: The inevitable witness.
Sommario/riassunto: Nineteenth-century Iran was an ocularcentered society predicated on visuality and what was seen and unseen, and photographs became liminal sites of desire that maneuvered "betwixt and between" various social spaces - public, private, seen, unseen, accessible, and forbidden - thus mapping, graphing, and even transgressing those spaces, especially in light of increasing modernization and global contact during the nineteenth and early twentieth centuries. Of primary interest is how photographs negotiated and coded gender, sexuality, and desire, becoming strategies of empowerment, of domination, of expression, and of being seen. Hence, the photograph became a vehicle to traverse multiple locations that various gendered physical bodies could not, and it was also the social and political relations that had preceded the photograph that determined those ideological spaces of (im)mobility. In identifying these notions in photographs, one may glean information about how modern Iran metamorphosed throughout its own long durée or resisted those societal transformations as a result of modernization.
Titolo autorizzato: Liminalities of gender and sexuality in nineteenth-century Iranian photography  Visualizza cluster
ISBN: 1-315-51213-0
1-315-51212-2
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910155036503321
Lo trovi qui: Univ. Federico II
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Serie: Routledge history of photography.