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[null,"1.","Record Nr.",null,"UNISOBSOB016744"]
[null,null,"Autore",null,"Ault, Hugh_J"]
[null,null,"Titolo",null,"Comparative income taxation : A structural analysis / Principal Author Hugh J. Ault ; Contributing Authors Brian J. Arnold...[et al.]"]
[null,null,"Pubbl/distr/stampa",null,"The Hague, : Kluwer Law International, 1997"]
[null,null,"ISBN",null,"9041106014"]
[null,null,"Descrizione fisica",null,"XVIII, 540 p. ; 24 cm"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910297034403321"]
[null,null,"Autore",null,"Fitzner Julia"]
[null,null,"Titolo",null,"Von Digital-Rights-Management zu Content Identification : : Neue Ansätze zum Schutz urheberrechtlich geschützter Multimediawerke im Internet / / Julia Fitzner"]
[null,null,"Pubbl/distr/stampa",null,"Baden-Baden : , : Nomos Verlagsgesellschaft mbH & Co. KG, , 2011"]
[null,null,"ISBN",null,"9783845233727"]
[{"$nulls":4},"3845233729"]
[null,null,"Edizione",null,"[1 ed.]"]
[null,null,"Descrizione fisica",null,"1 electronic resource (357 p.)"]
[null,null,"Collana",null,"Abhandlungen zum Urheber- und Kommunikationsrech ; Bd. 55"]
[null,null,"Soggetti",null,"Multimédia"]
[{"$nulls":4},"multimedia"]
[{"$nulls":4},"Musique"]
[{"$nulls":4},"music"]
[{"$nulls":4},"Droit d'auteur"]
[{"$nulls":4},"copyright"]
[{"$nulls":4},"Internet"]
[{"$nulls":4},"digital rights management"]
[{"$nulls":4},"digital distribution"]
[{"$nulls":4},"Numérisation"]
[{"$nulls":4},"digitisation"]
[{"$nulls":4},"Thèses"]
[{"$nulls":4},"thesis"]
[{"$nulls":4},"UE/CE Union européenne"]
[{"$nulls":4},"European Union"]
[{"$nulls":4},"Germany"]
[{"$nulls":4},"United States"]
[{"$nulls":4},"Allemagne RF"]
[{"$nulls":4},"Etats-Unis d'Amérique"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Bibliography: p. 339-357."]
[null,null,null,"Sommario/riassunto","Das Werk zieht Bilanz über die bisherigen (Miss-)Erfolge des Einsatzes von Digital-Rights-Management-Systemen bei der Online-Vermarktung "]
[{"$nulls":4},"von urheberrechtlich geschützten Multimediawerken. Weiterhin wird ein neuer Ansatz zum Schutz solcher Werke im Web 2.0 in Form von Filtertechnologien, die digitalisierte geschützte Inhalte identifizieren können, vorgestellt. In rechtlicher Hinsicht wird geprüft, wie sich der Einsatz solcher Technologien durch Betreiber von Social-Media-Diensten auf deren urheberrechtliche Haftung auswirkt, vor allem im Hinblick auf die Haftungsbeschränkungen nach dem TMG und nach dem US-amerikanischen Digital Millennium Copyright Act, die einer rechtsvergleichenden Analyse unterzogen werden."]
[null,"3.","Record Nr.",null,"UNINA9910407715403321"]
[null,null,"Autore",null,"Morrow Guy"]
[null,null,"Titolo",null,"Designing the Music Business : Design Culture, Music Video and Virtual Reality / / by Guy Morrow"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Springer, , 2020"]
[null,null,"ISBN",null,"3-030-48114-X"]
[null,null,"Edizione",null,"[1st ed. 2020.]"]
[null,null,"Descrizione fisica",null,"1 online resource (209 pages)"]
[null,null,"Collana",null,"Music Business Research, , 2522-0837"]
[null,null,"Disciplina",null,"338.4778"]
[null,null,"Soggetti",null,"Advertising media planning"]
[{"$nulls":4},"Music"]
[{"$nulls":4},"Economics"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Branding (Marketing)"]
[{"$nulls":4},"Cultural property - Protection"]
[{"$nulls":4},"Graphic arts"]
[{"$nulls":4},"Media Planning"]
[{"$nulls":4},"Cultural Economics"]
[{"$nulls":4},"Branding"]
[{"$nulls":4},"Cultural Resource Management"]
[{"$nulls":4},"Graphic Design"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Introduction -- Research Design -- Album Cover Design. ."]
[null,null,null,"Sommario/riassunto","This book addresses the neglect of visual creativities and content, and how these are commercialised in the music industries. While musical and visual creativities drive growth, there is a lack of literature relating to the visual side of the music business, which is significant given that the production of meaning and value within this business occurs across a number of textual sites. Popular music is a multimedia, discursive, fluid, and expansive cultural form that, in addition to the music itself, includes album covers; gig and tour posters; music videos; set, stage, and lighting designs; live concert footage; websites; virtual reality/augmented reality technologies; merchandise designs; and other forms of visual content. As a result, it has become impossible to understand the meaning and value of music without considering its "]
[{"$nulls":4},"relation to these visual components and to the interrelationships between them. Using design culture theory, participant observation, interviews, case studies, and a visual methodology to explore the topic, this research-based book is a valuable study aid for undergraduate and postgraduate students of subjects including the music business, design, arts management, creative and cultural industries studies, business and management studies, and media and communications."]