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[null,"1.","Record Nr.",null,"UNISALENTO991004383932207536"]
[null,null,"Autore",null,"Bonini, Tiziano"]
[null,null,"Titolo",null,"Che cos'è un podcast / Tiziano Bonini, Marta Perrotta"]
[null,null,"Pubbl/distr/stampa",null,"Roma : Carocci, 2023"]
[null,null,"ISBN",null,"9788829021338"]
[null,null,"Descrizione fisica",null,"127 p. ; 20 cm"]
[null,null,"Collana",null,"Bussole ; 687"]
[{"$nulls":4},"Bussole ; 687. Scienze della comunicazione"]
[null,null,"Disciplina",null,"791.467"]
[null,null,"Soggetti",null,"Podcast"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910969372203321"]
[null,null,"Autore",null,"Berger Harris M. <1966->"]
[null,null,"Titolo",null,"Metal, rock, and jazz : perception and the phenomenology of musical experience / / Harris M. Berger"]
[null,null,"Pubbl/distr/stampa",null,"Hanover, N.H., : University Press of New England, c1999"]
[null,null,"ISBN",null,"1-283-10991-3"]
[{"$nulls":4},"9786613109910"]
[{"$nulls":4},"0-8195-7182-2"]
[{"$nulls":4},"0-585-38754-0"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (578 p.)"]
[null,null,"Collana",null,"Music/culture"]
[null,null,"Disciplina",null,"781.65"]
[null,null,"Soggetti",null,"Musical perception"]
[{"$nulls":4},"Music - Philosophy and aesthetics"]
[{"$nulls":4},"Rock music - Ohio - Cleveland - History and criticism"]
[{"$nulls":4},"Rock music - Ohio - Akron - History and criticism"]
[{"$nulls":4},"Jazz - Ohio - Cleveland - History and criticism"]
[{"$nulls":4},"Jazz - Ohio - Akron - History and criticism"]
[{"$nulls":4},"Music - Social aspects"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"Wesleyan University Press.\""]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 315-323) and index."]
[null,null,"Nota di contenuto",null,"Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes"]
[{"$nulls":4},"6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and \"Turn for the Worse\"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and \"The Final Silencing\"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, "]
[{"$nulls":4},"Class, and Consequence"]
[{"$nulls":4},"12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index"]
[null,null,null,"Sommario/riassunto","A lively comparison of musical meaning in Ohio's Jazz, metal, and hard rock scene."]