{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":4,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":56,"n_cols":5,"rows_kept":56,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[9,2,9,3],[9,4,9,5],[10,2,10,3],[10,4,10,5],[11,2,11,3],[11,4,11,5],[12,2,12,3],[13,2,13,3],[14,2,14,3],[15,2,15,3],[16,2,16,3],[17,2,17,3],[19,2,19,3],[19,4,19,5],[20,2,20,3],[20,4,20,5],[21,2,21,3],[21,4,21,5],[22,2,22,3],[23,2,23,3],[25,2,25,3],[26,2,26,3],[27,2,27,3],[28,2,28,3],[34,2,34,3],[35,2,35,3],[38,2,38,3],[41,2,41,3],[41,4,41,5],[42,2,42,3],[42,4,42,5],[43,2,43,3],[43,4,43,5],[44,2,44,3],[46,2,46,3],[47,2,47,3],[48,2,48,3],[49,2,49,3],[51,2,51,3],[52,2,52,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISOBSOBE00028196"]
[null,null,"Autore",null,"Muir, Kenneth"]
[null,null,"Titolo",null,"Shakespeare's Sonnets / Kenneth Muir"]
[null,null,"Pubbl/distr/stampa",null,"London : Allen & Unwin, 1979"]
[null,null,"Descrizione fisica",null,"X, 179 p. ; 23 cm"]
[null,null,"Collana",null,"Unwin Critical Library"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISALENTO991003927519707536"]
[null,null,"Autore",null,"Breton, André <1896-1966>"]
[null,null,"Titolo",null,"\"Signe ascendant\" / André Breton"]
[null,null,"Pubbl/distr/stampa",null,"Paris : Gallimard, 1968"]
[null,null,"Descrizione fisica",null,"188 p. : ill. ; 16 cm"]
[null,null,"Collana",null,"Poésie"]
[null,null,"Disciplina",null,"841.91"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910483901803321"]
[null,null,"Autore",null,"Walden Victoria Grace"]
[null,null,"Titolo",null,"Cinematic Intermedialities and Contemporary Holocaust Memory / / by Victoria Grace Walden"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019"]
[null,null,"ISBN",null,"9783030108779"]
[{"$nulls":4},"3030108775"]
[null,null,"Edizione",null,"[1st ed. 2019.]"]
[null,null,"Descrizione fisica",null,"1 online resource (221 pages)"]
[null,null,"Disciplina",null,"791.43658"]
[null,null,"Soggetti",null,"Motion picture plays, European"]
[{"$nulls":4},"World War, 1939-1945"]
[{"$nulls":4},"Collective memory"]
[{"$nulls":4},"European Film and TV"]
[{"$nulls":4},"History of World War II and the Holocaust"]
[{"$nulls":4},"Memory Studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Introduction -- 2. Holocaust Film Beyond Representation -- 3. The Archive, Assemblage and Archaeology -- 4. Animation, Assemblage, the Affection-Form -- 5. Digital Augmentation, Assemblage, the Actual and the Virtual -- 6. Epilogue."]
[null,null,null,"Sommario/riassunto","This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution "]
[{"$nulls":4},"of the cinematic to Holocaust memory. ."]
[null,"4.","Record Nr.",null,"UNINA9910140140803321"]
[null,null,"Autore",null,"Philippe Gardy Marie-Jeanne Verny (dir.)"]
[null,null,"Titolo",null,"Max Rouquette et le renouveau de la poésie occitane : la poésie d'oc dans le concert des écritures poétiques européennes (1930-1960"]
[null,null,"Pubbl/distr/stampa",null,"Presses universitaires de la Méditerranée, 2009"]
[{"$nulls":4},"[Place of publication not identified], : Presses universitaires de la Méditerranée, 2009"]
[null,null,"ISBN",null,"2-36781-065-6"]
[null,null,"Descrizione fisica",null,"1 online resource (332 pages)"]
[null,null,"Collana",null,"Estudis occitans"]
[null,null,"Soggetti",null,"Languages & Literatures"]
[{"$nulls":4},"Romance Languages"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Sommario/riassunto","Entre 1930 et 1960, la poésie occitane a connu plusieurs moments de renouveau, dont un des artisans majeurs a incontestablement été Max Rouquette (1909-2005). Cet ouvrage constitue la première étape d’un programme pluriannuel de recherches. Il est ouvert par une riche synthèse de P. Gardy sur la période envisagée.  La première partie analyse les apports des premiers recueils et de l’écriture novatrice de Rouquette. La seconde explore d’autres itinéraires poétiques qui lui font écho ou s’en différencient pour découvrir d’autres territoires : R. Allan, C. Camproux, L. Cordes, G. Gomila, D. Saurat...  La place qui leur est due est faite aux anthologies et revues de la période. Les communications présentées lors du colloque des 3 et 4 avril 2008 ont été complétées par une table ronde animée par J.-Cl. Forêt qui a réuni les poètes S. Bec, B. Lesfargues, F.-J. Temple, et J.-B. Para, directeur de la revue Europe. Grâce à l’aide du Conseil Régional Languedoc-Roussillon et de la Médiathèque Émile Zola, nous avons le plaisir d’offrir le CD aux acquéreurs de ce volume. Notre gratitude aux techniciens de la Médiathèque et du service audiovisuel de l’Université qui ont permis la réalisation de ce témoignage oral."]