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[null,"1.","Record Nr.",null,"UNISALENTO991003762039707536"]
[null,null,"Autore",null,"Mann, Thomas"]
[null,null,"Titolo",null,"Lettere a Paul Amann : 1915-1952 / Thomas Mann ; a cura di Herbert Wegener ; traduzione di Roberto Margotta"]
[null,null,"Pubbl/distr/stampa",null,"Milano : A. Mondadori, 1967"]
[null,null,"Descrizione fisica",null,"227 p. ; 19 cm"]
[null,null,"Disciplina",null,"928"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910958742803321"]
[null,null,"Autore",null,"Vallotton Félix <1865-1925.>"]
[null,null,"Titolo",null,"[Best of] [[electronic resource] ] Félix Vallotton : der Fremde Nabi / / Nathalia Brodskaïa ; [Redaktion der deutschen Ausgabe, Klaus H. Carl]"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Parkstone International, [2013]"]
[null,null,"ISBN",null,"1-78042-742-5"]
[{"$nulls":4},"1-78310-179-2"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (190 p.)"]
[null,null,"Collana",null,"Best Of"]
[null,null,"Disciplina",null,"759.9494"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Intro -- Inhalt -- Einleitung -- Ein talentierter Künstler -- Die Nabis und Gravurarbeiten -- Erstes Zusammentreffen mit den Nabis -- Gravurarbeiten -- Der Wendepunkt in Vallottons Werdegang -- Der Wendepunkt in Valottons Werdegang -- Die Rückkehr zur Malerei -- Seine letzten Lebensjahre -- Vallottons Frauen -- Gravuren -- Bibliografie -- Abbildungsverzeichnis."]
[null,null,null,"Sommario/riassunto","Félix Vallotton (1865-1925) war ein französischer Künstler der Jahrhundertwende, dessen Werke bürgerliche Konventionen hinterfragten und den Geschlechterkampf thematisierten. In kühl konstruierten Kulissen findet sich eine ästhetische Provokation, die sich die Moderne zum Vorbild nehmen sollte. Die Aufmerksamkeit seiner Zeitgenossen hatte Vallotton jedoch seinen von der japanischen Kunst inspirierten, bemerkenswert elegant komponierten Holzschnitten zu verdanken."]