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[null,"1.","Record Nr.",null,"UNINA9910452372403321"]
[null,null,"Autore",null,"Hobbins Daniel <1966->"]
[null,null,"Titolo",null,"Authorship and publicity before print [[electronic resource] ] : Jean Gerson and the transformation of late medieval learning / / Daniel Hobbins"]
[null,null,"Pubbl/distr/stampa",null,"Philadelphia, Pa., : University of Pennsylvania Press, 2009"]
[null,null,"ISBN",null,"1-283-89057-7"]
[{"$nulls":4},"0-8122-0229-5"]
[null,null,"Descrizione fisica",null,"1 online resource (348 p.)"]
[null,null,"Collana",null,"The Middle Ages series"]
[null,null,"Disciplina",null,"282.092"]
[null,null,"Soggetti",null,"Authorship - History - To 1500"]
[{"$nulls":4},"Books and reading - Europe - History - To 1500"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [293]-311) and indexes."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- List of Illustrations and Maps -- Preface -- Introduction -- 1. Gerson as Bookman: Prescribing ''the Common School of Theological Truth'' -- 2. Justifying Authorship: New Diseases and New Cures -- 3. A Tour of Medieval Authorship: Late Works and Poetry -- 4. Literary Expression: Logic, Rhetoric, and Scholarly Vice -- 5. The Schoolman as Public Intellectual: Implications of the Late Medieval Tract -- 6. Publishing Before Print (1): A Series of Publishing Moments -- 7. Publishing Before Print (2): From Coterie Readership to Massive Market -- Conclusion -- List of Abbreviations -- Appendix: Gerson Manuscripts in Carthusian and Celestine Monasteries -- Notes -- Selected Bibliography -- Index of Manuscripts -- Index of Works by Gerson -- General Index -- Acknowledgments"]
[null,null,null,"Sommario/riassunto","Widely recognized by contemporaries as the most powerful theologian of his generation, Jean Gerson (1363-1429) dominated the stage of western Europe during a time of plague, fratricidal war, and religious schism. Yet modern scholarship has struggled to define Gerson's place in history, even as it searches for a compelling narrative to tell the story of his era.Daniel Hobbins argues for a new understanding of Gerson as a man of letters actively managing the publication of his works in a period of rapid expansion in written culture. More broadly, Hobbins casts Gerson as a mirror of the complex cultural and intellectual shifts of the fourteenth and fifteenth centuries. In contrast to earlier "]
[{"$nulls":4},"theologians, Gerson took a more humanist approach to reading and to authorship. He distributed his works, both Latin and French, to a more diverse medieval public. And he succeeded in reaching a truly international audience of readers within his lifetime. Through such efforts, Gerson effectively embodies the aspirations of a generation of writers and intellectuals. Removed from the narrow confines of late scholastic theology and placed into a broad interdisciplinary context, his writings open a window onto the fascinating landscape of fifteenth-century Europe.The picture of late medieval culture that emerges from this study offers neither a specter of decaying scholasticism nor a triumphalist narrative of budding humanism and reform. Instead, Hobbins describes a period of creative and dynamic growth, when new attitudes toward writing and debate demanded and eventually produced new technologies of the written word."]
[null,"2.","Record Nr.",null,"UNISALENTO991002788659707536"]
[null,null,"Titolo",null,"Rerum criminalium praxes, et tractatus omnium nobiliorum qui ad hunc diem exiuerunt iureconsultorum, in quibus processus publicorum iudiciorum, maleficiorumque & suppliciorum omnium, quae in vsum cadere possunt, ratio non minus succincte quam docte traditur; tributa in tomos duos: ... editum a Francisco Modio I.C. Brugensi. Cum indicibus, .."]
[null,null,"Pubbl/distr/stampa",null,"Francofurti : apud Ioan. Wechelum : impens. Sigis. Feyrab., 1587 (Francofurdi : apud Ioannem Wechelum : impensis Sigismundi Feyrabendii, 1587)"]
[null,null,"Descrizione fisica",null,"2 v. in uno [8], 686 [i.e. 697], [3]; [4], 516, [2! p.] : ill. ; fol."]
[null,null,"Lingua di pubblicazione",null,"Latino"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Contiene, come elencato sul front.: Practicas Iodoci Damhouderii, Iacobi de Bellouisu, Hippolyti de Marsiliis, Claudii de Battandier nel vol. 1; trattati di Antonius de Canaria, Martinus Laudensis, Nicolaus Boerius, Paulus Ghislandus, Placentinus, Bonincontus, Odofredus, Nicolaus Plouius, Nellus de S. Geminiano, Iacobus de Arena, Ludouicus Carerius, Ioan. Franc. Ponzinibius nel vol. 2"]
[{"$nulls":4},"Segn.: )(4 A-Z6 AA-ZZ6 AAA-LLL6 MMM8; [p]2 A-Z6 Aa-Tt6 Vv8"]
[{"$nulls":4},"Front. stampato in rosso e nero, front., finalini, iniz. xil., testo su due colonne, car. cors. rom."]
[{"$nulls":4},"Contiene ca. 20 trattati di altrettanti autori indicati alla c. a2v."]
[{"$nulls":4},"Marche di Feyerabend in fine del vol.1 e sul front. e in fine del vol. 2.:  In cornice figurata: la Fama. Donna alata suona due trombe. Sullo sfondo una citta.  In cornice figurata: la Fama (una donna con le ali e la tromba). Nel nastro: Feyeraben. Iohane"]