{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":46,"n_cols":5,"rows_kept":46,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[11,2,11,3],[11,4,11,5],[12,2,12,3],[12,4,12,5],[13,2,13,3],[13,4,13,5],[14,2,14,3],[15,2,15,3],[33,2,33,3],[34,2,34,3],[35,2,35,3],[36,2,36,3],[37,2,37,3],[38,2,38,3],[39,2,39,3],[43,2,43,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISALENTO991002400879707536"]
[null,null,"Autore",null,"Grosso, Giuseppe"]
[null,null,"Titolo",null,"Usufrutto e figure affini nel diritto romano / Giuseppe Grosso"]
[null,null,"Pubbl/distr/stampa",null,"Torino : G. Giappichelli, 1958"]
[null,null,"Edizione",null,"[2. ed. ampliata]"]
[null,null,"Descrizione fisica",null,"xix, 522 p. ; 25 cm."]
[null,null,"Disciplina",null,"349.37"]
[null,null,"Soggetti",null,"Usufrutto - Diritto romano"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910972155903321"]
[null,null,"Autore",null,"Jones Timothy, Dr."]
[null,null,"Titolo",null,"Beethoven, the Moonlight and other sonatas, op. 27 and op. 31 / / Timothy Jones"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, UK ; ; New York, : Cambridge University Press, 1999"]
[null,null,"ISBN",null,"9780511091490"]
[{"$nulls":4},"0511091494"]
[{"$nulls":4},"9781107114258"]
[{"$nulls":4},"110711425X"]
[{"$nulls":4},"9780511002885"]
[{"$nulls":4},"0511002882"]
[{"$nulls":4},"9781280429231"]
[{"$nulls":4},"1280429232"]
[{"$nulls":4},"9780511171956"]
[{"$nulls":4},"0511171951"]
[{"$nulls":4},"9780511149580"]
[{"$nulls":4},"0511149581"]
[{"$nulls":4},"9780511309731"]
[{"$nulls":4},"0511309732"]
[{"$nulls":4},"9780511605673"]
[{"$nulls":4},"0511605676"]
[{"$nulls":4},"9780511054242"]
[{"$nulls":4},"0511054246"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (xii, 146 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Cambridge music handbooks"]
[null,null,"Disciplina",null,"786.2/183"]
[null,null,"Soggetti",null,"Sonatas (Piano) - Analysis, appreciation"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. ) and index."]
[null,null,"Nota di contenuto",null,"Preliminaries; Contents; Preface; Acknowledgements; 1 Keyboard culture; 2 Beethoven in 1800 -1802; 3 Composition and reception; 4 Quasi una fantasia?; 5 The design of the Op. 27 sonatas; 6 The design of the Op. 31 sonatas; Notes; Select bibliography; Index"]
[null,null,null,"Sommario/riassunto","Even in Beethoven's day the 'Moonlight' Sonata was a popular favourite. This 1999 book provides an accessible introduction to the Sonatas Opp. 27 and 31 (including The 'Moonlight' and 'The Tempest'), aimed at "]
[{"$nulls":4},"pianists, students, and music lovers. It begins with the works' historical background - the emergence of a 'piano culture' at the end of the eighteenth century, Beethoven's aristocratic milieu in Vienna, and his oft-quoted intention to follow a new compositional path. An account of the sonatas' genesis is followed by a discussion of their reception history, including a survey of changing performing styles since the mid-nineteenth century. The concept of the Sonata quasi una Fantasia is examined in relation to the cult of artistic sensibility in early-nineteenth-century Vienna. The study concludes with a critical introduction to each sonata."]