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[null,"1.","Record Nr.",null,"UNISALENTO991002248279707536"]
[null,null,"Autore",null,"Veneto. Consiglio regionale"]
[null,null,"Titolo",null,"Conoscere la Regione / Regione Veneto, Consiglio regionale"]
[null,null,"Pubbl/distr/stampa",null,"Venezia : Ufficio stampa del Consiglio regionale del Veneto, 1984"]
[null,null,"Descrizione fisica",null,"152 p. ; 24 cm."]
[null,null,"Disciplina",null,"353.9"]
[null,null,"Soggetti",null,"Regione"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910495916903321"]
[null,null,"Autore",null,"Gonthier Nicole"]
[null,null,"Titolo",null,"Sanglant Coupaul ! Orde Ribaude ! : Les injures au Moyen Âge / Nicole Gonthier"]
[null,null,"Pubbl/distr/stampa",null,"Rennes, : Presses universitaires de Rennes, 2015"]
[null,null,"ISBN",null,"2-7535-3018-1"]
[null,null,"Descrizione fisica",null,"1 online resource (204 p.)"]
[null,null,"Soggetti",null,"History"]
[{"$nulls":4},"injure"]
[{"$nulls":4},"argot"]
[{"$nulls":4},"langage"]
[{"$nulls":4},"Français (langue)"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Qui se ferait traiter aujourd'hui de « menteur », de « rouquin », de « glouton », de « malheureux », d'« orgueilleux » ou de « sanglant » rirait sans doute de l'apostrophe, car elle serait, pour l'homme de notre temps, dépourvue de tout contenu critique. Pourtant ces termes constituent des invectives très graves au Moyen Âge. Pour en concevoir la portée négative, il faut comprendre les critères d'exclusion que les mots recouvrent. Plus qu'aucun autre langage, celui de l'injure révèle en effet les normes qui dessinent la frontière entre le Bien et le Mal, le licite et l'interdit. C'est à la découverte des valeurs et des tabous partagés par les sociétés de la fin du Moyen Âge que cet ouvrage convie le lecteur. Une première partie présente la réalité sociale et judiciaire de l'injure, en propose une typologie, analyse son pouvoir criminogène ou son utilisation vindicative, mesure ses rapports à la sociabilité, à la fama, à l'honneur, apprécie la façon dont elle est proférée, reçue, jugée, pénalisée. La seconde partie de l'ouvrage est conçue comme un lexique des paroles insultantes les plus usitées ou les plus insolites. Les 82 notices exposent le sens étymologique des mots puis les normes éthiques et religieuses qui leur confèrent une spécificité injurieuse. En découvrant les termes crus de l'injure médiévale, le lecteur entre ainsi dans la familiarité des sociétés de cette époque et discerne en abyme les valeurs et les mentalités qui en font "]
[{"$nulls":4},"l'originalité."]
[null,"3.","Record Nr.",null,"UNINA9910789557703321"]
[null,null,"Titolo",null,"Audiobooks, literature, and sound studies / / edited by Matthew Rubery"]
[null,null,"Pubbl/distr/stampa",null,"London, England : , : Zed Books, , 2011"]
[{"$nulls":4},"[London, England] : , : Bloomsbury Publishing, , 2021"]
[null,null,"ISBN",null,"1-136-73332-9"]
[{"$nulls":4},"1-283-15119-7"]
[{"$nulls":4},"9786613151193"]
[{"$nulls":4},"1-136-73333-7"]
[{"$nulls":4},"0-203-81803-2"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (259 pages)"]
[null,null,"Collana",null,"Routledge research in cultural and media studies ; ; 31"]
[null,null,"Disciplina",null,"302.23"]
[null,null,"Soggetti",null,"Literature and technology - History"]
[{"$nulls":4},"Mass media and literature - History"]
[{"$nulls":4},"Audiobooks"]
[{"$nulls":4},"Sound in literature"]
[{"$nulls":4},"Literature - Appreciation"]
[{"$nulls":4},"Books and reading - History - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: talking books / Matthew Rubery -- The three-minute Victorian novel: remediating Dickens into sound / Jason Camlot -- A library on the air: literary dramatization and Orson Welles's mercury theatre / James Jesson -- The audiographic impulse: doing literature with the tape recorder / Jesper Olsson -- Poetry by phone and phonograph: tracing the influence of Giorno poetry systems / Michael S. Hennessey -- Soundtracking the novel: Willy Vlautin's Northline as filmic audiobook / Justin St. Clair -- Novelist as \"sound-thief\": the audiobooks of John le Carr / Garrett Stewart -- Hearing Hardy, talking Tolstoy: the audiobook narrator's voice and reader experience / Sara Knox -- Talking books, Toni Morrison, and the transformation of narrative authority: two frameworks / K.C. Harrisson -- Obama's voices: performance and politics on The dreams from my father audiobook / Jeffrey Severs -- Bedtime storytelling revisited: Le pere castor and children's audiobooks / Brigitte Ouvry-Vial -- Learning from librivox / Michael Hancher -- A preliminary phenomenology of the "]
[{"$nulls":4},"audiobook / D.E. Wittkower."]
[null,null,null,"Sommario/riassunto","This is the first scholarly work to examine the cultural significance of the \"talking book\" since the invention of the phonograph in 1877, the earliest machine to enable the reproduction of the human voice. Recent advances in sound technology make this an opportune moment to reflect on the evolution of our reading practices since this remarkable invention. Some questions addressed by the collection include: How does auditory literature adapt printed texts? What skills in close listening are necessary for its reception? What are the social consequences of new listening technologies? In sum, the."]