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[null,"1.","Record Nr.",null,"UNISALENTO991001914069707536"]
[null,null,"Autore",null,"Huang, Kerson"]
[null,null,"Titolo",null,"Lectures on statistical physics and protein folding / Kerson Huang"]
[null,null,"Pubbl/distr/stampa",null,"Hackensack, N.J. : World Scientific, c2005"]
[null,null,"ISBN",null,"9812561501"]
[null,null,"Descrizione fisica",null,"xiii, 144 p. : ill. ; 24 cm"]
[null,null,"Disciplina",null,"530.1595"]
[null,null,"Soggetti",null,"Statistical physics"]
[{"$nulls":4},"Protein folding"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index"]
[null,null,"Nota di contenuto",null,"Entropy. -- Maxwell-Boltzmann distribution. -- Free energy. -- Chemical potential. -- Phase transitions. -- Kinetics of phase transitions. -- The order parameter. -- Correlation function. -- Stochastic processes. -- Langevin equation. -- The life process. -- Self-assembly. -- Kinetics of protein folding. -- Power laws in protein folding. -- Power laws in protein folding. -- Self-avoiding walk and turbulence. -- Convergent evolution in protein folding. -- Model of energy cascade in a protein molecule"]
[null,"2.","Record Nr.",null,"UNINA9910404115903321"]
[null,null,"Autore",null,"Brandner Vera <p>Vera Brandner, Universität Innsbruck, Österreich und ipsum, interkultureller Kunstverein </p>"]
[null,null,"Titolo"]
[{"$nulls":4},"Generative Bildarbeit : Zum transformativen Potential fotografischer Praxis / Vera Brandner"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2020"]
[null,null,"ISBN",null,"9783839450086"]
[{"$nulls":4},"383945008X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (274 p.)"]
[null,null,"Collana",null,"Edition Kulturwissenschaft"]
[null,null,"Classificazione",null,"LC 96000"]
[null,null,"Disciplina",null,"770"]
[null,null,"Soggetti",null,"Research Learning"]
[{"$nulls":4},"Forschendes Lernen"]
[{"$nulls":4},"Photographic Practice"]
[{"$nulls":4},"Fotografische Praxis"]
[{"$nulls":4},"Methodology"]
[{"$nulls":4},"Methodik"]
[{"$nulls":4},"Generative Image Work"]
[{"$nulls":4},"Generative Bildarbeit"]
[{"$nulls":4},"Border Work"]
[{"$nulls":4},"Grenzarbeit"]
[{"$nulls":4},"Cultural Difference"]
[{"$nulls":4},"Kulturelle Differenz"]
[{"$nulls":4},"Praxeology"]
[{"$nulls":4},"Praxeologie"]
[{"$nulls":4},"Self-experiment"]
[{"$nulls":4},"Selbstversuch"]
[{"$nulls":4},"Reflexive Grounded Theory"]
[{"$nulls":4},"Internal Perception"]
[{"$nulls":4},"Selbstwahrnehmung"]
[{"$nulls":4},"External Perceptions"]
[{"$nulls":4},"Fremdwahrnehmungen"]
[{"$nulls":4},"Situationality"]
[{"$nulls":4},"Reflexivity"]
[{"$nulls":4},"Situationalität"]
[{"$nulls":4},"Reflexivität"]
[{"$nulls":4},"Transdisciplinarity"]
[{"$nulls":4},"Visual Ethics"]
[{"$nulls":4},"Transdisziplinarität"]
[{"$nulls":4},"Roland Barthes"]
[{"$nulls":4},"Transformative Forschung und Bildung"]
[{"$nulls":4},"Homi Bhabha"]
[{"$nulls":4},"Visuelle Ethik"]
[{"$nulls":4},"Pierre Bourdieu"]
[{"$nulls":4},"Paulo Freire"]
[{"$nulls":4},"Postcolonialism"]
[{"$nulls":4},"Photography"]
[{"$nulls":4},"Image"]
[{"$nulls":4},"Postkolonialismus"]
[{"$nulls":4},"Fine Arts"]
[{"$nulls":4},"Fotografie"]
[{"$nulls":4},"Visual Studies"]
[{"$nulls":4},"Bild"]
[{"$nulls":4},"Art"]
[{"$nulls":4},"Kunstwissenschaft"]
[{"$nulls":4},"Bildwissenschaft"]
[{"$nulls":4},"Kunst"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Through generative image work, photography is used as a relational, ambivalent and undisciplined medium for educational and research processes."]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Inhalt    7 Danke    9 Vorwort    10 Einleitung    12 1 Methodologie    22 2 Dazwischen - ein praxeologischer Selbstversuch    40 3 Fotografisch-visuelle Methodenentwicklung    98 4 Empirie und Analyse    158 5 Ergebnis - eine Theorieskizze    188 6 Diskussion der Ergebnisse    225 Ausblick - utopistische Forschungspraxis    253 Literaturverzeichnis    260 Abbildungsverzeichnis    268 Register    271"]
[null,null,null,"Sommario/riassunto","Wir alle sind Fotografie! Wir fotografieren, betrachten Fotos, sind darauf abgebildet und verwenden sie. Die Fotografie berührt und verstört, sie verbindet und trennt, sie beweist und ist vieldeutig. Vera Brandner nutzt in der generativen Bildarbeit das Beziehungshafte, das Ambivalente und das Undisziplinierte der Fotografie für Bildungs- und Forschungsprozesse. Die Fotografie wird dabei zum transdisziplinären Praxisfeld, bei dem auf prozesshafte und partizipative Weise die Beteiligten und ihre generativen Themen in den Fokus rücken. Anhand der Bilder, dem Betrachten und Diskutieren werden die Selbst- und Fremdwahrnehmungen erkundet sowie Kategorien sozialer Grenzziehung hinterfragt. Forschen und Lernen gehen dabei Hand in Hand und werden als Erkenntnis- und Transformationsprozesse wirksam."]
[{"$nulls":4},"»Der von der Autorin entwickelte Ansatz generativer Bildarbeit überzeugt. Die Schritte der Umsetzung sind stimmig zueinander, fördern gerade durch den rekursiven Ablauf der Arbeitsphasen einen differenzierten Zugang zum Thema.«"]
[{"$nulls":4},"»Geistreiches wie unkonventionelles Werk.«"]