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[null,"1.","Record Nr.",null,"UNISALENTO991001309689707536"]
[null,null,"Autore",null,"Roberts, Adam (Adam Charles)"]
[null,null,"Titolo",null,"Science fiction / Adam Roberts."]
[null,null,"Pubbl/distr/stampa",null,"London ; New York : Routledge, 2000"]
[null,null,"ISBN",null,"0415192048 (hc)"]
[{"$nulls":4},"0415192056 (pbk.)"]
[null,null,"Descrizione fisica",null,"vi, 204 p. ; 21 cm."]
[null,null,"Collana",null,"New critical idiom"]
[{"$nulls":4},"The new critical idiom"]
[null,null,"Disciplina",null,"809.3/8762"]
[null,null,"Soggetti",null,"Narrativa scientifica - Storia e critica"]
[{"$nulls":4},"Fantascienza - Storia e critica"]
[{"$nulls":4},"Science fiction - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [195]-200) and index."]
[null,null,"Nota di contenuto",null,"1. Defining science fiction. One definition. Three definitions. The SF novum. Difference. Prediction and nostalgia. Case study: Frank Herbert, Dune (1965) -- 2. The history of science fiction: from beginnings to the 1960s. Origins. Jules Verne and H G Wells. Pulp SF. The Golden Age: Asimov. New wave. Case study: Star Wars (1977) and intertextuality -- 3. Gender. Feminist science fiction. Women and aliens. Case study: Ursula Le Guin, The Left Hand of Darkness (1969) -- 4. Race. Representing race. Race and Star Trek. Alien abduction. Case study: blackness in Sonnenfeld's Men in Black (1997) -- 5. Technology and metaphor. Spaceships. Robots. Cyberspace. Case study: William Gibson, Neuromancer (1984) -- 6. Conclusion."]