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[null,"1.","Record Nr.",null,"UNISALENTO991001133339707536"]
[null,null,"Autore",null,"Landau, Lev Davidovic"]
[null,null,"Titolo",null,"Meccanica / Lev Davidovic Landau, E. M. Lifsic"]
[null,null,"Pubbl/distr/stampa",null,"Torino : Boringhieri, 1965"]
[null,null,"Descrizione fisica",null,"253 p. ; 20 cm"]
[null,null,"Classificazione",null,"AMS 70-01"]
[{"$nulls":4},"AMS 70-XX"]
[null,null,"Soggetti",null,"Mechanics of particles and systems"]
[{"$nulls":4},"Mechanics - Textbooks"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910404104903321"]
[null,null,"Autore",null,"Gunti Claus <p>Claus Gunti, University of Neuchâtel and University of Art and Design Lausanne, Schweiz </p>"]
[null,null,"Titolo"]
[{"$nulls":4},"Digital Image Systems : Photography and New Technologies at the Düsseldorf School / Claus Gunti"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2020"]
[null,null,"ISBN",null,"9783839439029"]
[{"$nulls":4},"3839439027"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (352 p.)"]
[null,null,"Collana",null,"Image"]
[null,null,"Disciplina",null,"771"]
[null,null,"Soggetti",null,"Photography"]
[{"$nulls":4},"Art"]
[{"$nulls":4},"Digital"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Computer"]
[{"$nulls":4},"Germany"]
[{"$nulls":4},"Düsseldorf School"]
[{"$nulls":4},"Thomas Ruff"]
[{"$nulls":4},"Andreas Gursky"]
[{"$nulls":4},"Jörg Sasse"]
[{"$nulls":4},"Art History of the 21st Century"]
[{"$nulls":4},"European Art"]
[{"$nulls":4},"Visual Studies"]
[{"$nulls":4},"Fine Arts"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Contents    4 Introduction    8 A FRAMING THE DÜSSELDORF SCHOOL    20 B WHAT IS DIGITAL PHOTOGRAPHY?    31 Introduction    40 A EMERGENCE OF A GERMAN DOCUMENTARY TRADITION    47 B THE END OF PHOTOGRAPHY    77 C DISCOURSE ON DIGITAL PHOTOGRAPHY IN GERMANY    98 Introduction    116 A PRE-DIGITAL MECHANISMS IN CONTEXT: 1960S / 1970S    120 B SERIAL CONSTRUCTIONS AND COMBINATORIAL FUNCTIONS: A TRANS-HISTORICAL PATTERN    137 Introduction    154 A DIGITAL RETOUCHING TOOLS    156 B DIGITAL STITCHING    175 C EARLY DIGITAL COMPOSITIONS    203 D THOMAS RUFF'S ANALOGUE AND "]
[{"$nulls":4},"DIGITAL EXPERIMENTS WITH THE PORTRAIT    219 Introduction    240 A COMPLEX COMPOSITES: ANDREAS GURSKY'S GENERIC WORLD    243 B IMAGE RECYCLING AND APPROPRIATIVE POSITIONS    259 C THOMAS RUFF'S GENERATED PHOTOGRAPHS AND THE LIMITS OF REPRESENTATION    300 D GENERIC PICTURE REALITIES    314 5 Conclusion    320 A BIBLIOGRAPHY    334 B INDEX    346 C ACKNOWLEDGEMENTS    349"]
[null,null,null,"Sommario/riassunto","In Digital Image Systems, Claus Gunti examines the antagonizing reactions to digital technologies in photography. While Thomas Ruff, Andreas Gursky and Jörg Sasse have gradually adopted digital imaging tools in the early 1990s, other photographers from the Düsseldorf School have remained faithful to film-based technologies. By evaluating the aesthetic and discursive preconditions of this situation and by extensively analyzing the digital work of these three photographers, this book shows that the digital turn in photography was anticipated by the conceptualization of images within systems, and thus offers new perspectives for understanding the »digital revolution«."]