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[null,"1.","Record Nr.",null,"UNISA996309139603316"]
[null,null,"Autore",null,"Hölscher Tonio"]
[null,null,"Titolo",null,"Krieg und Kunst im antiken Griechenland und Rom : Heldentum, Identität, Herrschaft, Ideologie / / Tonio Hölscher"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; Boston : , : De Gruyter, , [2019]"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"3-11-054968-9"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 374 pages) : illustrations (black and white); digital file(s)"]
[null,null,"Collana",null,"Münchner Vorlesungen zu Antiken Welten ; ; 4"]
[null,null,"Disciplina",null,"704.9"]
[{"$nulls":4},"938"]
[null,null,"Soggetti",null,"Bildkunst"]
[{"$nulls":4},"Heldentum"]
[{"$nulls":4},"Krieg"]
[{"$nulls":4},"Political ideology"]
[{"$nulls":4},"Politische Ideologie"]
[{"$nulls":4},"heroism"]
[{"$nulls":4},"visual art"]
[{"$nulls":4},"war"]
[{"$nulls":4},"HISTORY / Ancient / General"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Vorwort -- Inhalt -- Einleitung -- I. Krieg und Heldentum im archaischen Griechenland: Fragilität und Fragwürdigkeit des Ruhmes -- II. Krieg und Identität im klassischen Griechenland: Denkmäler und mythisches Gedächtnis als Waffen -- III. Krieg und universale Herrschaft von Alexander zu Augustus: Das Pathos von Glorie und Vernichtung in den antiken Monarchien -- IV. Krieg und Ideologie in der römischen Kaiserzeit: Bilder des Sieges zwischen Ereignis und Ritual -- Literatur -- Register"]
[null,null,null,"Sommario/riassunto","Bilder des Krieges sind ein dominantes Thema in der griechischen und römischen Kunst. Darstellungen von Kriegertum und Kampf sind visuelle Zeugnisse sozialer Ideale, öffentliche Siegesdenkmäler sind Faktoren der politischen Herrschaft. Nachdem die Forschung eine große Zahl einzelner Denkmäler und Gattungen von Bildwerken untersucht hat, wird in diesem Buch eine Synthese vorgelegt, in der die "]
[{"$nulls":4},"unterschiedlichen Konzepte und Wahrnehmungen des Krieges von der griechischen Frühzeit bis zur späten römischen Kaiserzeit kontrastiv gegeneinander gestellt werden. Dabei werden nicht nur die Funktionen der Bildwerke für die explizite Verherrlichung von Sieg und Ruhm dargestellt, sondern vor allem auch die ambivalenten impliziten Triebkräfte untersucht, die der kriegerischen Gewalt als Motivationen zugrunde liegen. In vier Kapiteln wird jeweils eine dieser Motivationen als prägende Kraft in einer Epoche des antiken Kriegswesens vor Augen geführt: Archaisches Griechenland: Glanz und Exzess des kriegerischen Heldentums; Klassisches Griechenland: Impulse und Risiken der politischen Identität; Alexander der Große bis Augustus: Ambition und Manifestation universaler Herrschaft; Römische Kaiserzeit: Imperiale Ideologie und militärische Realität."]
[{"$nulls":4},"Images of war in Greek and Roman art reveal much more than the mere veneration of victory and glory. This book examines ancient Greek and Roman sculpture and memorials to reveal the ambivalent motivating forces that underlie the violence of war to this day: individual heroism, political identity, universal rule, and imperial ideology."]
[null,"2.","Record Nr.",null,"UNISALENTO991000917239707536"]
[null,null,"Autore",null,"Vilenkin, N. Ya."]
[null,null,"Titolo",null,"Functional analysis / N. Ya. Vilenkin ... [et al.] ; translated from the russian by Richard E. Flaherty"]
[null,null,"Pubbl/distr/stampa",null,"Groningen : Wolters-Noordhoff, c1972"]
[null,null,"ISBN",null,"9001909809"]
[null,null,"Edizione",null,"[Engl. ed. edited by George F. Votruba ; with the collaboration of Leo F. Boron]"]
[null,null,"Descrizione fisica",null,"xv, 379 p. ; 23 cm."]
[null,null,"Classificazione",null,"AMS 46-01"]
[{"$nulls":4},"AMS 46-XX"]
[null,null,"Disciplina",null,"515.7"]
[null,null,"Soggetti",null,"Functional analysis-textbooks"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910794434803321"]
[null,null,"Autore",null,"Haven Cynthia L."]
[null,null,"Titolo",null,"The man who brought Brodsky into English : conversations with George L. Kline / / Cynthia L. Haven"]
[null,null,"Pubbl/distr/stampa",null,"Brookline, MA : , : Academic Studies Press, , [2021]"]
[{"$nulls":4},"Â©2021"]
[null,null,"ISBN",null,"1-64469-516-2"]
[{"$nulls":4},"1-64469-515-4"]
[null,null,"Descrizione fisica",null,"1 online resource (216 pages)"]
[null,null,"Collana",null,"Jews of Russia & Eastern Europe and their legacy"]
[null,null,"Disciplina",null,"891.7144"]
[null,null,"Soggetti",null,"Translators - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Introduction: To Please Two Shadows -- 1. A Love Affair with Language -- 2. The Leningrad Poet and “a gift fit for a king” -- 3. Did the KGB Defend Russian Poetry? -- 4. The Poet in Exile: “I’ll live out my days . . .” -- 5. The “Good Lexicon” Rule -- 6. Kline Takes up the Gauntlet -- 7. A Lullaby, a Butterfly, and an Untranslatable Poem -- 8. “What did you do in World War II?” -- 9. Poems by Joseph Brodsky, Translated by George L. Kline -- 10. “In Memory of a Poet: Variation on a Theme” by Tomas Venclova -- 11. Occasional Poems: George Kline, Joseph Brodsky -- 12. A Bibliography of George Kline’s Translations of Joseph Brodsky’s Poems -- 13. George L. Kline Chronology -- Afterword -- Acknowledgements"]
[null,null,null,"Sommario/riassunto","Brodsky’s poetic career in the West was launched when Joseph Brodsky: Selected Poems was published in 1973. Its translator was a scholar and war hero, George L. Kline. This is the story of that friendship and collaboration, from its beginnings in 1960s Leningrad and concluding with the Nobel poet's death in 1996.Kline translated more of Brodsky’s poems than any other single person, with the exception of Brodsky himself. The Bryn Mawr philosophy professor and Slavic scholar was a modest and retiring man, but on occasion he could be as forthright and adamant as Brodsky himself. “Akhmatova discovered Brodsky for Russia, but I discovered him for the West,” he claimed.Kline’s interviews with author Cynthia L. Haven before his death in 2015 include a description of his first encounter with Brodsky, the KGB interrogations triggered by their friendship, Brodsky's emigration, and the "]
[{"$nulls":4},"camaraderie and conflict over translation. When Kline called Brodsky in London to congratulate him for the Nobel, the grateful poet responded, “And congratulations to you, too, George!”"]