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[null,"1.","Record Nr.",null,"UNINA9910462776503321"]
[null,null,"Titolo",null,"In other words : writing as a feminist / / edited by Gail Chester and Sigrid Nielsen"]
[null,null,"Pubbl/distr/stampa",null,"Abingdon, Oxon : , : Routledge, , 2013"]
[null,null,"ISBN",null,"0-203-08411-X"]
[{"$nulls":4},"1-283-84599-7"]
[{"$nulls":4},"1-136-18952-1"]
[null,null,"Descrizione fisica",null,"1 online resource (249 p.)"]
[null,null,"Collana",null,"Routledge library editions : Feminist theory"]
[null,null,"Disciplina",null,"305.42"]
[{"$nulls":4},"820.99287"]
[{"$nulls":4},"820/.9/9287"]
[null,null,"Soggetti",null,"Women and literature - Great Britain"]
[{"$nulls":4},"Feminism and literature - Great Britain"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","First published in 1987 by Hutchinson."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"IN OTHER WORDS Writing as a feminist; Copyright; In Other Words Writing as a feminist; Copyright; Contents; Acknowledgements; Introduction: writing as a feminist; Part One What Women Write; Imaginary ape or The one-eyed monkey answers questions; Poetry - who cares?; The controversial feminist; A double knot on the peeny; I tell my 3 year old she's real . . . : writing lesbian-feminist children's books; Women and fiction: how we present ourselves and others; Meandering towards an ordinary job; The art of non-fiction (or the social construction of aesthetic divisions)"]
[{"$nulls":4},"Lesbian sexuality: joining the dotsWriting erotica; Part Two Taking Control; Lessons of history: beyond the male-stream classroom; Working in the word factory; Producing a feminist magazine; They tried to rip me off; Why there's a light-box where my typewriter should be - being a feminist publisher; I am a feminist and a journalist . . .; Translating as a feminist; What the hell is feminist editing?; Part Three Writing About Ourselves; T. S. Eliot never called himself a clerk; Writing for my mother; On being a late starter; Writing as a lesbian mother; Words are weapons; Leaving it 'til later"]
[{"$nulls":4},"An apologyWriting as an Irish woman in England; Class conflicts; Young, gifted and getting there; Imprisoning vision: towards a non-"]
[{"$nulls":4},"visualist language; Part Four Support and Communication; Making connections: the collective working experience; Writer/worker/feminist; Not chance but a community: women and élitism in poetry; Women like us; Broadening visions; Voice; The script: a scene for four female characters; Resources section"]
[null,null,null,"Sommario/riassunto","This is a book for all women writers, professional, amateur or aspiring, in which forty women talk about writing and the part it plays in their lives. Self-discovery, work, personal liberation, communication, hope for change - all these motives inspire these short and direct personal statements.The contributors come from very different backgrounds: some, like Sara Maitland, Rosemary Manning, Anna Livia, Suniti Namjoshi, are well known. Others are unpublished. In Other Words will provide practical support and encouragement for any woman who writes."]
[null,"2.","Record Nr.",null,"UNINA9910467306003321"]
[null,null,"Autore",null,"Freed Joanne Lipson <1983->"]
[null,null,"Titolo",null,"Haunting encounters : the ethics of reading across boundaries of difference / / Joanne Lipson Freed"]
[null,null,"Pubbl/distr/stampa",null,"Ithaca, New York ; ; London, [England] : , : Cornell University Press, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"1-5017-1382-5"]
[null,null,"Descrizione fisica",null,"1 online resource (pages cm)"]
[null,null,"Disciplina",null,"813/.0873309"]
[null,null,"Soggetti",null,"Ghosts in literature"]
[{"$nulls":4},"American fiction - 21st century - History and criticism"]
[{"$nulls":4},"American fiction - 20th century - History and criticism"]
[{"$nulls":4},"Ghost stories - History and criticism"]
[{"$nulls":4},"Supernatural in literature"]
[{"$nulls":4},"Commonwealth fiction (English) - 21st century - History and criticism"]
[{"$nulls":4},"Transnationalism in literature"]
[{"$nulls":4},"Difference (Philosophy) in literature"]
[{"$nulls":4},"Memory in literature"]
[{"$nulls":4},"Psychic trauma in literature"]
[{"$nulls":4},"Commonwealth fiction (English) - 20th century - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Figures of Estrangement -- 2. Telling the Traumas of History -- 3. Invisible Victims, Visible Absences -- 4. Haunting Futures and the Dystopian Imagination -- Conclusion -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Acts of cross-cultural reading have ethical consequences. In Haunting Encounters, Joanne Lipson Freed traces the narrative strategies through which certain works of fiction forge connections with their readers across boundaries of difference. Freed uses the idea of haunting-an intense, temporary, and transformative encounter that defies rational understanding-as a metaphor for the kinds of ethical relationships that such works cultivate with their readers across boundaries of difference. "]
[{"$nulls":4},"Freed points out how such works as Toni Morrison's Beloved, Leslie Marmon Silko's Ceremony, and Arundhati Roy's The God of Small Things strike a delicate balance between empathy and alterity. Their engaging narratives, Freed argues, bring unfamiliar characters and distant settings to life for readers who encounter them as \"other,\" but they also highlight the limits of fiction, holding in check the impulse to colonize another's experience with one's own. Haunting Encounters is a sensitive and perceptive application of theory to real-world concerns. It draws together the fields of postcolonial fiction and narrative ethics and suggests original modes of engagement between readers and books that promise new ways of looking at the world."]
[null,"3.","Record Nr.",null,"UNISALENTO991000151249707536"]
[null,null,"Autore",null,"Brodner, Erika"]
[null,null,"Titolo",null,"Wohnen in der Antike / Erika Brodner"]
[null,null,"Pubbl/distr/stampa",null,"Darmstadt : Wissenschaftliche Buchgesellschaft, c1989"]
[null,null,"ISBN",null,"3534013743"]
[null,null,"Descrizione fisica",null,"x, 341 p. : 149 ill. ; 23 cm"]
[null,null,"Classificazione",null,"R-III/C 12"]
[null,null,"Soggetti",null,"Architettura Domestica - Roma"]
[{"$nulls":4},"Architettura Romana"]
[{"$nulls":4},"Architettura Classica"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Include riferimenti bibliografici (p. [323]-331)"]