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[null,"1.","Record Nr.",null,"UNINA9910971265203321"]
[null,null,"Autore",null,"Brodskaya Nathalia"]
[null,null,"Titolo",null,"[Perfect square] Paul Cezanne / / [Nathalia Brodskaya]"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Parkstone International, [2011]"]
[null,null,"ISBN",null,"9781644617380"]
[{"$nulls":4},"1644617382"]
[{"$nulls":4},"9781283954624"]
[{"$nulls":4},"1283954621"]
[{"$nulls":4},"9781283955126"]
[{"$nulls":4},"1283955121"]
[{"$nulls":4},"9781780426570"]
[{"$nulls":4},"1780426577"]
[{"$nulls":4},"9781780425290"]
[{"$nulls":4},"1780425295"]
[null,null,"Descrizione fisica",null,"1 online resource (82 p.)"]
[null,null,"Disciplina",null,"759.4"]
[null,null,"Soggetti",null,"Painters - France"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Paris et les années de formation; Les rapports équivoques de Cézanne avec l'impressionnisme; Les natures mortes « cézanniennes »; Les paysages et le questionnement de l'espace; La « période constructive » de Cézanne; Liste des illustrations; Notes"]
[null,null,null,"Sommario/riassunto","Paul Cézanne (Aix-en-Provence, 1839 - 1906)Depuis sa mort il y a deux siècles, Cézanne est devenu le peintre le plus célèbre du XIXe siècle. Il naquit à Aix-en-Provence en 1839, et la plus belle période de sa vie fut sa prime jeunesse en Provence, qu'il passa en compagnie de Zola, également d'origine italienne. Suivant l'exemple de ce dernier, Cézanne partit pour Paris à l'âge de 21 ans. Il fut déserteur pendant la guerre franco-prussienne, partageant son temps entre la peinture en plein air et son atelier. Il déclara à Vollard, un marchand d'art : «Je ne suis qu'un peintre. L'humour parisien"]
[null,"2.","Record Nr.",null,"UNISA996668464203316"]
[null,null,"Autore",null,"Ioannides Marinos"]
[null,null,"Titolo",null,"3D Research Challenges in Cultural Heritage IV : Risk Prevention and Monitoring Methods / / edited by Marinos Ioannides, Giovanni Issini, Daniel Oliveira"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2025"]
[null,null,"ISBN",null,"3-031-93753-8"]
[null,null,"Edizione",null,"[1st ed. 2025.]"]
[null,null,"Descrizione fisica",null,"1 online resource (266 pages)"]
[null,null,"Collana",null,"Lecture Notes in Computer Science, , 1611-3349 ; ; 13577"]
[null,null,"Disciplina",null,"025.060013"]
[null,null,"Soggetti",null,"Digital humanities"]
[{"$nulls":4},"Virtual reality"]
[{"$nulls":4},"Augmented reality"]
[{"$nulls":4},"Image processing - Digital techniques"]
[{"$nulls":4},"Computer vision"]
[{"$nulls":4},"Building information modeling"]
[{"$nulls":4},"Cultural property"]
[{"$nulls":4},"Archaeology"]
[{"$nulls":4},"Digital Humanities"]
[{"$nulls":4},"Virtual and Augmented Reality"]
[{"$nulls":4},"Computer Imaging, Vision, Pattern Recognition and Graphics"]
[{"$nulls":4},"Building Information Modeling"]
[{"$nulls":4},"Cultural Heritage"]
[{"$nulls":4},"Heritage Management"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"On the Use of HBIM for the Analysis of Historical Constructions: Technical and Semantic Interoperability for Different Aspects of the Structural Assessment -- The key role of structural health monitoring as a control tool in the post-earthquake recovery phase of damaged heritage buildings: The case study of \"Collegiata di Santa Maria\" in Visso, Italy -- Understanding and managing risk in historic areas: A multi-hazard vulnerability assessment of the Historic City Centre of Guimarães, Portugal -- Digital guardians: A new method of data management for at-risk cultural heritage in Bavaria -- Risks and Responsibilities: The German Tendaguru Collection as Chiltural Heritage and its 3D Digitisation -- AI-Driven Analysis in Point Clouds "]
[{"$nulls":4},"for Archaeological Documentation -- Digital Preservation and Restoration of Historic Buildings in Agadez, Niger -- Digital Humanities and Physics Applied to the Study of Cultural Heritage Objects: the case of ex-votos -- \"Fostering Community-Cultural Heritage Resilience in Post-Disaster Scenarios: Merging Hands-On Experience with Digital Technologies in the OPHERA Project\" -- Digital tools for assessment and communication of historic architectural heritage restoration project: The case study of Palazzo Saladini di Rovetino in Ascoli Piceno, Italy -- Preserving and Communicating a Sudanese Heritage Site through a Digital Exhibition -- Digital Heritage Documentation for Protecting and Rebuilding Tangible Heritage in Natural Disaster and Conflict Zones -- Restoration and Digitisation of the Tarxien Stone Bowl: A Multidisciplinary Approach."]
[null,null,null,"Sommario/riassunto","This open access book presents a collection of papers focusing on a range of digital technologies and their use in the protection and restoration of cultural heritage. Digital tools - from 3D scanning and photogrammetry to Heritage Building Information Modeling (HBIM), Digital Twins, and Extended Reality (XR) - are transforming the way we understand and care for tangible heritage. These technologies are applied to both record the physical form and material conditions of a site and to permit simulations of deterioration, design interventions, and careful reconstruction. A central theme of this volume is post-disaster restoration and how the scientific and technical aspects of restoration can be made accessible to a broader audience through innovative visualizations, interactive platforms and storytelling. Digital tools should not only serve experts but also allow the public to participate both on-site and remotely via the web. This book advocates a holistic approach to heritage management, combining cutting-edge technology with local knowledge, risk analysis with creative reuse, and positioning the act of restoration as a bridge connecting the past, present and future."]