{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":34,"n_cols":5,"rows_kept":34,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[12,2,12,3],[13,2,13,3],[16,2,16,3],[16,4,16,5],[17,2,17,3],[17,4,17,5],[18,2,18,3],[18,4,18,5],[19,2,19,3],[21,2,21,3],[23,2,23,3],[24,2,24,3],[25,2,25,3],[26,2,26,3],[27,2,27,3],[28,2,28,3],[29,2,29,3],[31,2,31,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910480842803321"]
[null,null,"Autore",null,"Coch Roura Núria"]
[null,null,"Titolo",null,"La forma estipulatoria : una aproximación al estudio del lenguaje directo en el digesto / / Nuria Coch Roura"]
[null,null,"Pubbl/distr/stampa",null,"Madrid : , : Dykinson, , 2017"]
[null,null,"ISBN",null,"84-9148-409-4"]
[null,null,"Descrizione fisica",null,"1 online resource (ii, 417 páginas)"]
[null,null,"Collana",null,"Monografías de Derecho Romano y Cultura Clásica"]
[null,null,"Disciplina",null,"340.54"]
[null,null,"Soggetti",null,"Roman law - History"]
[{"$nulls":4},"Derecho"]
[{"$nulls":4},"Historia"]
[{"$nulls":4},"Libros electronicos."]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Contiene bibliografía."]
[null,"2.","Record Nr.",null,"UNISA996659464103316"]
[null,null,"Autore",null,"Govrin Michal"]
[null,null,"Titolo",null,"But There Was Love : Shaping the Memory of the Shoah"]
[null,null,"Pubbl/distr/stampa",null,"Berlin/Boston : , : Walter de Gruyter GmbH, , 2025"]
[{"$nulls":4},"©2025"]
[null,null,"ISBN",null,"3-11-158996-X"]
[{"$nulls":4},"3-11-158964-1"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (380 pages)"]
[null,null,"Collana",null,"Perspectives on Jewish Texts and Contexts Series ; ; v.28"]
[null,null,"Disciplina",null,"940.4318"]
[null,null,"Soggetti",null,"HISTORY / Holocaust"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- But There Was Love: Shaping the Memory of the Shoah: Introduction to the English Edition -- Preface: How to Remember the Shoah -- Book Sections and Chapters -- Section One: Conversations in the First Person -- “Everything was Death. But Within It There Was a lot of Love” -- On Historiography and the Personal Voice -- Section Two: Languages of Memory -- Memory of the Present -- Clouds -- Memory and Oblivion from Individual to Society: Consequences for Remembering the Holocaust -- Section Three: Facing the Nothingness -- “And Who Will Remember? And How Shall We Preserve a Memory?”: New Approaches to Exhibits on The Holocaust -- Marek Laub: Negative of a Testimony -- Button-Camera -- Inside That Gray Cloud -- Unsettling Dust -- Section Four: Echoes and Witnesses -- Reflections on the Holocaust in Jewish Thought -- ‘The Hassidic Underground’ as a Counter Ultra-Orthodox (Haredi) Historiography -- Creating My Memory -- Reflections on Hannah Arendt, Radical Evil and Holocaust Survivors’ Testimonies -- Death of the Witness: Thoughts on what Remains when the Witness Departs -- Section Five: Poetics of Memory and Forgetting -- The Literary Act as Giving Shape to a Scream: a Transition to Poetics -- A Secret Sealed: Between the Researcher’s Riddle and the Poet’s in Pagis’ Work -- The Role of Memory and Forgetting in the Creative Process -- Remembering and Forgetting in Music Composition -- Amulet for the Widening of the Heart -- Section Six: Representation and Responsibility -- Four Views: Members of the Third Generation Reflect on the Holocaust in 2000s Cinema -- Arnon Goldfinger’s The Flat (2011): Ethics and Aesthetics in "]
[{"$nulls":4},"Third Generation Holocaust Cinema -- Cine-Memory: The Representation of Women’s Sexualized Trauma in Israeli Holocaust-Related Narrative Films -- Survivors -- Ethics of Documentation: Attentiveness as Responsibility and Grace -- Section Seven: Hitkansut – Shoah Remembrance Ritual -- Creating Space Within Time: An Invitation to Ritual -- The Responsibility to Remember – Remember Responsibly: Hitkansut, A Ritual Gathering for Yom HaShoah -- A Note about Adapting Hitkansut to English -- Acknowledgements -- Contributors"]
[null,null,null,"Sommario/riassunto","But There Was Love—Shaping the Memory of the Shoah proposes a new paradigm for Shoah remembrance in today’s cultural and political reality. It derives from the four-year workings of a group of researchers and artists at The Van Leer Jerusalem Institute led by Michal Govrin. The group positions the extraordinary Jewish and non-Jewish human struggle in facing dehumanization and extermination as the essence of the Shoah, challenging us with a profound ethical call."]