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[null,"1.","Record Nr.",null,"UNINA9910794125003321"]
[null,null,"Autore",null,"Pine Emilie"]
[null,null,"Titolo",null,"The memory marketplace : witnessing pain in contemporary Irish and international theatre / / Emilie Pine"]
[null,null,"Pubbl/distr/stampa",null,"Bloomington, Indiana : , : Indiana University Press, , [2020]"]
[{"$nulls":4},"©2020"]
[null,null,"ISBN",null,"0-253-04952-0"]
[{"$nulls":4},"0-253-04951-2"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (262 pages)"]
[null,null,"Collana",null,"Irish culture, memory, place"]
[null,null,"Disciplina",null,"809.93353"]
[null,null,"Soggetti",null,"Pain in literature"]
[{"$nulls":4},"Psychic trauma in literature"]
[{"$nulls":4},"Collective memory in literature"]
[{"$nulls":4},"Collective memory and literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes bibliographical references and index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: The Market for Pain -- Tell Them That You Saw Us: Witnessing Docu-verbatim Memory -- The Witness as Commodity: Autoperforming Memory -- The Commissioned Witness, Theatre, and Truth -- The Immaterial Labor of Listening: Presence, Absence,  Failure, and the Commodification of the Witness -- Consumers or Witnesses: Site-Specific Performance --  Conclusion: Activism in the Marketplace."]
[null,null,null,"Sommario/riassunto","\"What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The "]
[{"$nulls":4},"complexities and nuances of this exchange-subject and witness, spectator and performer, consumer and commodified-provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history\"."]
[{"$nulls":4},"Introduction: The Market for Pain -- Tell Them That You Saw Us: Witnessing Docu-verbatim Memory -- The Witness as Commodity: Autoperforming Memory -- The Commissioned Witness, Theatre, and Truth -- The Immaterial Labor of Listening: Presence, Absence, Failure, and the Commodification of the Witness -- Consumers or Witnesses: Site-Specific Performance -- Conclusion: Activism in the Marketplace."]
[null,"2.","Record Nr.",null,"UNISA996659462103316"]
[null,null,"Autore",null,"Lempert Michael"]
[null,null,"Titolo",null,"From Small Talk to Microaggression : A History of Scale"]
[null,null,"Pubbl/distr/stampa",null,"Chicago : , : University of Chicago Press, , 2024"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"9780226832494"]
[{"$nulls":4},"022683249X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (387 pages)"]
[null,null,"Disciplina",null,"302.34/6"]
[null,null,"Soggetti",null,"Conversation analysis"]
[{"$nulls":4},"Scaling (Social sciences)"]
[{"$nulls":4},"SOCIAL SCIENCE / General"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Preface -- 1 Introduction: How Scale Broke the World -- PART I Fine-Grained Analysis -- Introduction -- 2 The Chattering Unconscious and the Tells of Talk -- 3 The First Five Minutes -- 4 The First Five Seconds -- PART II Small Groups -- Introduction -- 5 Rigorously, Manageably Small -- 6 Interaction Recorders -- 7 Interaction as a Liberal Technology -- PART III Micropolitics -- Introduction -- 8 The Interpersonal Gets Political -- 9 Interruption-and Male Supremacy -- 10 Tempest in the Transcript -- 11 Conclusion -- Acknowledgments -- Notes -- Index"]
[null,null,null,"Sommario/riassunto","A provocative and eye-opening history of how we have studied and theorized social interaction. In this ambitious, wide-ranging book, anthropologist Michael Lempert offers a conceptual history that explores how, why, and with what effects we have come to think of interactions as “scaled.” Focusing on the sciences of interaction in midcentury America, Lempert traces how they harnessed diverse tools and media technologies, from dictation machines to 16mm film, to study communication “microscopically.” In looking closely, many hoped to transform interaction: to improve efficiency, grow democracy, curb racism, and much else. Yet their descent into a microworld created troubles, with some critics charging that these scientists couldn’t see the proverbial forest for the trees. Exploring talk therapy and group dynamics studies, social psychology and management science, conversation analysis, “micropolitics,” and more, Lempert shows how "]
[{"$nulls":4},"scale became a defining problem across the behavioral sciences. Ultimately, he argues, if we learn how our objects of study have been scaled in advance, we can better understand how we think and interact with them—and with each other—across disciplinary and ideological divides. Even as once-fierce debates over micro and macro have largely subsided, Lempert shows how scale lives on and continues to affect the ethics and politics of language and communication today."]