{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":32,"n_cols":5,"rows_kept":32,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[11,2,11,3],[12,2,12,3],[16,2,16,3],[17,2,17,3],[17,4,17,5],[18,2,18,3],[18,4,18,5],[19,2,19,3],[19,4,19,5],[20,2,20,3],[22,2,22,3],[23,2,23,3],[24,2,24,3],[25,2,25,3],[26,2,26,3],[27,2,27,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910462570603321"]
[null,null,"Autore",null,"Kafer Alison"]
[null,null,"Titolo",null,"Feminist, queer, crip [[electronic resource] /] / Alison Kafer"]
[null,null,"Pubbl/distr/stampa",null,"Bloomington, : Indiana University Press, c2013"]
[null,null,"ISBN",null,"0-253-00941-3"]
[null,null,"Descrizione fisica",null,"1 online resource (276 p.)"]
[null,null,"Disciplina",null,"362.401"]
[null,null,"Soggetti",null,"Disability studies"]
[{"$nulls":4},"Queer theory"]
[{"$nulls":4},"Women's studies"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"CONTENTS; Acknowledgments; textual Description of the Cover Art; introduction: Imagined Futures; 1 Time for Disability Studies and a Future for Crips; 2 At the Same Time, Out of Time: Ashley X; 3 Debating Feminist Futures: Slippery Slopes, Cultural Anxiety, and the Case of the Deaf Lesbians; 4 A Future for Whom? Passing on Billboard Liberation; 5 The Cyborg and the Crip: Critical Encounters; 6 Bodies of Nature: The Environmental Politics of Disability; 7 Accessible Futures, Future Coalitions; Appendices; notes; Bibliography; index"]
[null,"2.","Record Nr.",null,"UNISA996588057503316"]
[null,null,"Autore",null,"Schaller Maria"]
[null,null,"Titolo",null,"Das Herz in den Bildmedien religiöser Frauengemeinschaften : Frühneuzeitliche Körperkonzepte im Spannungsverhältnis von Konfession, Stand und Geschlecht / / Maria Schaller"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; Boston : , : De Gruyter, , [2024]"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"3-11-107362-9"]
[null,null,"Descrizione fisica",null,"1 online resource (520 p.)"]
[null,null,"Collana",null,"Verflechtung - Aushandlung - Opazität : Kunsthistorische Studien , , 2941-4032 ; ; 2"]
[null,null,"Soggetti",null,"ART / History / Baroque & Rococo"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Multimedia"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","In den Bildmedien religiöser Frauenge­meinschaften der Frühen Neuzeit war das Herz von besonderer Bedeutung. Maria Schaller analysiert Porträts und bildtragende Schmuckstücke, die im 17. und 18. Jahrhundert in katholischen Nonnenklöstern und protestantischen Damenstiften entstanden sind und Vorstellungen wie die Einwohnung, das Einprägen oder die Einschreibung des Göttlichen in das menschliche Herz thematisieren. Untersucht wer­den Rückgriffe auf die Herzvisionen spätmittelalterlicher Mystiker*innen, aber auch bemerkenswerte Neuse­mantisierungen wie die Konstruktion der Genealogie einer \"ewigen Herzenswunde\". Im Zentrum steht die Frage, inwiefern die präsentierten Körperbilder und Imaginationen des Herzens Aushandlungsprozesse im Spannungsfeld von Konfession, Stand und Geschlecht widerspiegeln. Grundlegender Beitrag zur Genderforschung und Körpergeschichte der Frühen Neuzeit Bilder des Herzens in verschiedenen christlichen Konfessionen"]
[{"$nulls":4},"The heart had a key position in the visual media of religious women's communities in the early modern era. Maria Schaller analyzes portraits and image-bearing jewelry created in Catholic nunneries and Protestant women's convents during the 17th and 18th centuries; these address ideas such as the indwelling, imprinting, or inscribing of the divine in the human heart. This study examines their recourse to the heart visions of late medieval mystics, but also to remarkable new semanticizations such as constructing the genealogy of an 'eternal "]
[{"$nulls":4},"wound of the heart'. The primary question is how far the body images and imaginaries of the heart presented here reflect mediation processes in the field of tension between denomination, class, and gender. Fundamental contribution to gender research and the history of the body during the early modern age Images of the heart in various Christian denominations"]