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[null,"1.","Record Nr.",null,"UNINA9910784035903321"]
[null,null,"Autore",null,"Allain Paul"]
[null,null,"Titolo",null,"Gardzienice : Polish theatre in transition / / Paul Allain"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam : , : Harwood Academic Publishers, , 1997"]
[null,null,"ISBN",null,"1-135-29926-9"]
[{"$nulls":4},"1-135-29927-7"]
[{"$nulls":4},"1-280-14605-2"]
[{"$nulls":4},"0-203-98950-3"]
[null,null,"Descrizione fisica",null,"1 online resource (176 p.)"]
[null,null,"Collana",null,"Contemporary theatre studies ; ; v. 22"]
[null,null,"Disciplina",null,"792.09438"]
[null,null,"Soggetti",null,"Theater - Poland - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [155]-159) and index."]
[null,null,"Nota di contenuto",null,"Preliminaries; CONTENTS; Introduction to the Series; List of Plates; Acknowledgements; Introduction; 1 Polish Theatre Romanticism Fades; 2 The Rural Context and Gardzienice Village; 3 Polish Society The Art of Gathering; 4 The Formation of Gardzienice From Grotowski and Paratheatre; 5 Training; 6 Performances; 7 European Parallels Future Models; 8 An Intercultural Assessment; 9 Searching for a New Language; Conclusion; Postscript; Appendix Polishing up on the Classics; Notes; Bibliography; Index;"]
[null,null,null,"Sommario/riassunto","This is one of the first detailed attempts to assess developments in Polish experimental theatres since 1989. The author questions whether those artists can maintain their vision in the face of Poland's economic difficulties and increased"]
[null,"2.","Record Nr.",null,"UNISA996582049803316"]
[null,null,"Autore",null,"Sender Katherine"]
[null,null,"Titolo",null,"The Makeover : Reality Television and Reflexive Audiences / / Katherine Sender"]
[null,null,"Pubbl/distr/stampa",null,"New York, NY : , : New York University Press, , [2012]"]
[{"$nulls":4},"©2012"]
[null,null,"ISBN",null,"0-8147-3897-4"]
[null,null,"Descrizione fisica",null,"1 online resource (255 p.)"]
[null,null,"Collana",null,"Critical Cultural Communication ; ; 26"]
[null,null,"Classificazione",null,"AP 35160"]
[null,null,"Disciplina",null,"791.45655"]
[null,null,"Soggetti",null,"Makeover television programs - History and criticism"]
[{"$nulls":4},"Reality television programs - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- 1. Self-Projects -- 2. Gender and Genre -- 3. Not Like Paris Hilton -- 4. Shame on You -- 5. Feeling Real -- 6. Mirror, Mirror -- 7. Research Reflexivity -- 8. Once More with Feeling -- Appendix I. Protocols -- Appendix II. Demographic Data -- Notes -- Bibliography -- Index -- About the Author"]
[null,null,null,"Sommario/riassunto","Watch this show, buy this product, you can be a whole new you! Makeover television shows repeatedly promise self-renewal and the opportunity for reinvention, but what do we know about the people who watch them? As it turns out, surprisingly little.The Makeover is the first book to consider the rapid rise of makeover shows from the perspectives of their viewers. Katherine Sender argues that this genre of reality television continues a long history of self-improvement, shaped through contemporary media, technological, and economic contexts. Most people think that reality television viewers are ideological dupes and obliging consumers. Sender, however, finds that they have a much more nuanced and reflexive approach to the shows they watch. They are critical of the instruction, the consumer plugs, and the manipulative editing in the shows. At the same time, they buy into the shows’ imperative to construct a reflexive self: an inner self that can be seen as if from the outside, and must be explored and expressed to others. The Makeover intervenes in debates about both reality television and audience research, offering the concept of the reflexive self to move these debates forward."]
[null,"3.","Record Nr.",null,"UNISALENTO991004002269707536"]
[null,null,"Autore",null,"Italia : Archivio storico diplomatico"]
[null,null,"Titolo",null,"Il fondo archivistico <<Serie Z-contenzioso>> / a cura di Laura Pilotti"]
[null,null,"Pubbl/distr/stampa",null,"Roma : Istituto poligrafico e Zecca dello Stato, 1987"]
[null,null,"Descrizione fisica",null,"590 p. ; 27 cm."]
[null,null,"Collana",null,"Fonti per la storia dell'emigrazione ; 6"]
[null,null,"Disciplina",null,"016.35300817"]
[null,null,"Soggetti",null,"Emigrazione italiana - Fonti archivistiche"]
[{"$nulls":4},"Ministero degli affari esteri Archivio storico diplomatico Inventari"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","In testa al frontesp.: Ministero degli affari esteri, Direzione generale dell'emigrazione e degli affari sociali, Archivio storico diplomatico"]